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Why Run Your Dryer at 100% If You Don’t Need To? Β· Ardnt Riekenbrauck Β·Β IST

Walk into many printing plants, and there is a simple approach to curing: Turn the dryer up to 100%. It works. Nobody wants to risk insufficient curing. But it isn't necessarily the smartest or most energy-efficient way to produce. At LOUPE Americas in Chicago, Wayne Beckett meets Anne from IST METZ to talk about the company's new SwapCure platform β€” shown publicly for the first time at the event β€” and several technologies that could change how converters think about curing. Flexibility is central to SwapCure. The platform is designed to enable converters to switch between different curing technologies, including infrared, LED, and conventional UV, depending on the application and production requirements. But perhaps one of the most interesting developments is FreeCure. Developed in collaboration with BASF, FreeCure enables UV curing without conventional photoinitiators, addressing a challenge that has traditionally limited UV technology in sensitive applications such as food packaging. IST METZ already has installations operating with the technology in flexible packaging, where reducing concerns around migration and odor can open opportunities for UV in applications where converters may previously have been reluctant to use it. Then there is SmartCure. Rather than simply setting every dryer to maximum power, SmartCure uses production information to predict the curing energy required for a particular job. Job parameters can be used to establish the dryer settings before production begins, and those settings can subsequently be stored and reused when the same work returns. That potentially means lower energy consumption, more repeatable production and β€” particularly for companies operating multiple sites β€” a more standardized approach to curing. It is another example of how AI can play a very practical role in print production: not generating content, but using production data to make equipment operate more intelligently. In this INKISH film, Wayne talks with Anne about SwapCure, FreeCure, SmartCure, LED, conventional UV, food packaging, energy consumption, and why curing technology is becoming considerably more flexible β€” and considerably smarter. Because sometimes improving production isn't about adding more power. It's about knowing exactly how much power you actually need.

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What Happens When an Automation Guy Starts a Label Company? Β· Adam Seiz Β· Brightline Labels and Pack

For years, Adam Sides has talked about automation. Now he gets to prove it. At LOUPE Americas in Chicago, Wayne Beckett meets Adam just weeks before the launch of his new Atlanta-based labels and packaging company, Bright Line. After 12 years with Bennett Graphics, Adam decided it was time to do something he had thought about for years: build his own business. And when somebody with Adam's background starts from a completely blank sheet of paper, the approach is perhaps predictably different. Rather than buying an MIS and then adapting the business around it, Adam has spent much of the past year building his own. Using AI-assisted development, he has created an interconnected ecosystem covering MIS, CRM, lead generation, estimating, customer communication, and production workflow. The objective is ambitious. Adam wants jobs to move through the administrative side of the company, through quoting and preflight, with as little human intervention as possible. Ideally, the first time somebody really needs to touch a job is when it reaches production. That doesn't mean ignoring security either. Before putting the system into use, Adam brought in an external company to test and validate the environment. On the production side, Bright Line is starting digitally, with two HP Indigo presses, a GM 350 finishing system, JetFX embellishment, and additional rewinding equipment. Equipment installation is planned for October, with the business based in Atlanta. But perhaps the most interesting thing about Bright Line isn't the equipment. It is the opportunity to build an automation-first printing company without decades of legacy processes determining how things have always been done. Adam can ask a different question: If we were starting a label company today, knowing everything we know about automation, AI, workflow, digital production, and customer expectations β€” how would we build it? LOUPE also gives him the opportunity to explore technologies and markets he doesn't yet know well, including pouch production, while talking with suppliers, peers, and people throughout the industry who can help shape what comes next. There may be robots eventually. But not yet. In this INKISH film, Wayne talks with Adam Sides about leaving a secure career, starting Bright Line, building his own MIS, using AI in software development, automating administration, investing in digital production, and what it feels like when years of talking about automation suddenly become very real. Now comes the interesting part. Practice what you preach.

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Build the Printer You Need Β· Charles Tonna Β· Buskro

What if an inkjet printer worked a little more like Lego? At LOUPE Americas in Chicago, Wayne Beckett meets Charles from Buskro to look at Argo β€” a new modular printing platform designed around a very different idea. Instead of building separate printers for every width, orientation, and application, Buskro has developed a system of individual Argo nodes that can be combined and reconfigured as production requires. Need 4.25 inches of full-color printing? Configure it that way. Need 8 inches of monochrome instead? Separate the modules and rearrange them. Want to print on the top and side of a box simultaneously? Reconfigure the same technology again. A controller can manage up to eight printheads, and multiple controllers can be chained together, enabling significantly larger and more complex configurations. The platform is powered by HP thermal inkjet technology, but much of what makes Argo different comes from Buskro itself. The company develops its electronics, software, mechanical design, metalwork, and manufacturing in-house β€” giving it the ability to design the complete architecture around modularity. And that also changes the economics. Instead of manufacturing dozens of different enclosures, electronics packages, and configurations, Buskro can use common components across multiple applications. For customers, the same principle means an investment can potentially be adapted when requirements change rather than replaced. Argo also represents an interesting evolution for Buskro. The Canadian company built much of its history around high-speed mailing and variable-data printing, where systems need to read, print, and verify information at very high speeds. Now that experience is being taken into packaging and end-of-line production. Argo can print at speeds of up to 3 meters per second, achieve greater throw distances than traditional systems, and be configured for different print orientations. Combined with Buskro's RFID read, write, and verification technology, the company sees opportunities to build increasingly modular production and fulfillment environments. In this INKISH film, Wayne talks with Charles about Argo, HP inkjet technology, modularity, RFID, packaging, high-speed variable data, and why Buskro is moving away from telling customers exactly what a printing system should look like. Their new philosophy is considerably simpler: Your printer. Your way.

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Turning Production Data into Decisions Β·Β Kieran Parmar Β· Worldwide Prof. Services Manager Β· HP

Printers today have access to enormous amounts of production data. The challenge is knowing what to do with it. At Loupe Americas in Chicago, Wayne Beckett catches up with Kieran Palmer from HP Professional Services to talk about PrintOS, workflow integration, automation, APIs β€” and HP Nio. HP PrintOS can collect information directly from the press about jobs, productivity, waste, OEE, and overall equipment performance. But Kieran's team works beyond the HP ecosystem as well, connecting PrintOS with MIS, web-to-print, reporting platforms, and other third-party systems already being used by customers. Because data becomes much more valuable when it moves. Through PrintOS and Print Beat APIs, production information can be fed directly into MIS and reporting environments, giving companies a broader understanding of what is happening across production. Then comes Nio. Rather than requiring an operator or production manager to search through dashboards and reports, Nio introduces a more conversational way of working with production information. Ask how productive the press has been today. Ask how well it is performing. Ask where improvements could potentially be made. The objective is to make the data easier to understand and easier to act upon. And that is important because many print companies aren't short of information β€” they are short of time and people who know how to turn that information into meaningful action. That is also where HP Professional Services comes into the picture. Kieran and his team help customers understand what is possible, connect the systems, and turn individual technologies into an actual production workflow. Automation is becoming increasingly important as labor costs rise, skilled people become harder to find, and businesses look for ways to reduce operating costs. But for Kieran, automation isn't necessarily about removing people. It is about removing repetitive work, improving the jobs people already perform, and allowing those employees to contribute where they create more value. In this INKISH film, Wayne talks with Kieran Palmer about HP PrintOS, Nio, Site Flow, APIs, MIS integration, OEE, automation, and why the value of production data isn't really in collecting it. It's in turning it into better decisions.

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Talking About What We Usually Don’t Talk About Β· Jessica Decola Β· Blooming Color

At trade shows, we constantly ask each other the same questions. How are you? How's business? How's the family? And the answer is almost always the same: everything's great. But is it? At Loupe Americas in Chicago, Wayne Beckett unexpectedly runs into Jessica DeCola β€” and there is quite a lot to catch up on. After almost ten years with GPA, Jessica recently moved to Blooming Color as Director of Brand and Strategic Growth. It's a move from the supplier side of the industry to the printer side, and one that gives her a new challenge: helping a company that started as the "little printer that could" in Chicago communicate what it has become today β€” a much larger organization with ambitions well beyond its local market. Part of Jessica's role is also looking outside the industry's usual circles. Print can easily become an echo chamber, where the same companies, people, markets, and opportunities are discussed again and again. Her job is partly about asking where the opportunities are that printers aren't currently seeing β€” and how Blooming Color can position itself differently. But another important part of Jessica's story has nothing directly to do with selling print. She is one of the founders of She*t For Brains, a grassroots mental health and wellness initiative created together with Chris Minn, David Rosendahl, and Jon Bailey. The idea emerged after a remarkably open and personal moment on stage at Dscoop, where a conversation about business suddenly became a conversation about what people were actually experiencing behind the scenes. Stress. Anxiety. Relationships. PTSD. Pressure. And all the things we rarely discuss when somebody casually asks, "How are you?" What started as a conversation between four people has developed into webinars, conference sessions, expert discussions, and increasingly open conversations throughout the printing industry. And now the initiative is heading to PRINTING United Expo with its largest platform yet. For Jessica and the other founders, this isn't their day job. It's something they volunteer their time to because they believe the conversation is needed. In this INKISH film, Wayne talks with Jessica DeCola about her move to Blooming Color, looking beyond the traditional print echo chamber, She*t For Brains, mental health in our industry, and why sometimes the most important conversation at a trade show has absolutely nothing to do with equipment. Maybe the next time somebody asks, "How are you?" we should actually listen to the answer.

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Flexo, Digital or Hybrid? The Answer Depends on the Job Β· Andre Blais Β· National Account Manager

Flexo isn't disappearing. Digital isn't taking everything over. And hybrid increasingly gives converters the opportunity to combine the strengths of both. At LOUPE Americas in Chicago, Morten B. Reitoft meets Andre from Gallus/Heidelberg to talk about how label production is evolving β€” and why having access to several technologies is becoming increasingly important. Andre has worked with Gallus since 2004 and today handles Gallus products across the US, Canada, and Mexico. During that time, he has seen digital label production develop dramatically. Speed has increased. Quality has improved. Color gamut has expanded. And applications that would have been difficult to imagine digitally only a few years ago are now becoming everyday production. Gallus can today combine CMYK with white, orange, and violet, achieving a very broad color gamut while running at production speeds that continue to approach those of conventional technologies. But digital is only part of the equation. Hybrid configurations can combine digital printing with flexo units, screen printing, cold foil, hot foil, lamination, embossing, and other embellishment processes inline. Some customers even configure presses with multiple flexo units before and after the digital engine, allowing the same platform to run conventional flexo, digital-only, or hybrid production depending on the job. And the market is also moving wider. Gallus has expanded from its traditional 13-inch platforms into 17-inch production, with wider configurations expected as converters increasingly look toward applications such as flexible packaging and pouches. One company investing heavily in Gallus technology is Brook + Whittle. Across its growing network of operations, the company has been replacing older assets with Gallus Labelmaster presses and has recently added a Gallus One digital press for its Tennessee operation. For Andre, those projects are not simply about selling another machine. They start with understanding how the customer actually produces work. At Brook + Whittle's St. Louis operation, for example, the configuration of Gallus screen-printing units reduced web-path complexity compared with older equipment β€” creating significant savings in setup waste and material consumption. That is where experience becomes important. A newer press may offer faster speeds, but productivity gains increasingly come from automation, servo technology, shorter setup times, reduced waste, easier operation, and the ability to move between applications with fewer manual processes. In this INKISH film, Morten talks with Andre about flexo, digital and hybrid production, expanded gamut, embellishment, wider webs, Brook + Whittle, automation, and why the right technology decision isn't necessarily about choosing one printing process over another. It's about choosing the best process for the work in front of you.

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Small, Fast and Built Around Data Β· Adam Peek Β· King of the Mountain

For years, Adam talked about the packaging industry. Now he gets to live it every day. At LOUPE Americas in Chicago, Morten B. Reitoft meets Adam from Label King, the Salt Lake City label company he joined Robert Parker in building just over a year ago. Moving from sales, podcasts, LinkedIn, and industry events into actually running a production company has brought an entirely different perspective. And Label King is deliberately lean. Adam is currently the only person in the front office, yet the company has added more than 40 new customers during its first year together. He credits much of that efficiency not to having the newest printing equipment, but to using CERM and other software to process information quickly and avoid adding administrative people simply to move data around. That allows the company to focus its resources elsewhere: building culture, hiring good production people, serving customers, and responding quickly. And responsiveness is a surprisingly powerful competitive advantage. Customers don't always expect an immediate solution. Sometimes they simply want somebody to answer the phone, reply to the text message, or acknowledge the email β€” even when that message arrives at 10 o'clock at night. Label King combines that service mentality with flexo, digital inkjet, and increasingly sophisticated variable-data capabilities. A Domino print bar installed on a Mark Andy press is already producing millions of variable QR-code labels every month, supported by partnerships with technology and authentication platforms. For Adam, however, the objective isn't necessarily to build the biggest label company possible. He doesn't talk about needing ten presses or hundreds of employees within a predetermined number of years. Instead, his philosophy is to trust the process. Show up every day. Treat employees well. Treat customers like royalty. Stay creative, humble, disciplined, and willing to adapt β€” and allow the opportunities that follow to determine where the company goes next. It's also a philosophy Adam tries to apply beyond work. Despite the demands of building Label King, he remains active with his podcast, LinkedIn, basketball, and β€” most importantly β€” his wife and five children. In this INKISH film, Morten talks with Adam about becoming a label converter, CERM, automation, variable QR codes, customer service, entrepreneurship, work-life balance, and why building a successful company doesn't necessarily start with deciding how big you want it to become. Sometimes it starts with simply getting the process right.

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Making Web-to-Print Less Scary Β·Β Douglas Gibson Β· CEO Β· Infigo

Web-to-print sounds like an obvious step toward automation. Until you start thinking about APIs, MIS integration, product configuration, substrates, pricing rules, workflows, and all the data that needs to be connected. Then it can suddenly feel rather complicated. At LOUPE Americas in Chicago, Wayne Beckett meets longtime industry friend Doug Gibson of Infigo to discuss how the company is working to make web-to-print considerably easier to implement β€” particularly for startups and smaller businesses that may not have dedicated technical teams. For Infigo, one of the biggest objectives is reducing onboarding time. A web-to-print implementation that might historically have taken 30, 60, or even 90 days could increasingly be reduced to weeks β€” and eventually, perhaps, days β€” by automating more of the setup process. AI is becoming part of that journey. Instead of manually configuring every aspect of a product, Infigo is exploring ways for users to describe what they need in conversation and for the platform to automatically generate product structures, descriptions, settings, and other information. That becomes particularly interesting in labels and packaging, where products can quickly become complex. Materials, dimensions, finishes, pricing, quantities, artwork requirements, and production options must all be defined correctly before a customer can simply click Buy. The ambition isn't necessarily to automate 100% of everything. If the platform can automatically prepare 60%, 70%, or 80%, customers can spend more time thinking about the business rather than configuring software. Doug also makes another important point: you don't necessarily need decades of printing experience to build a successful online print business. He recalls meeting the founders of Packaging Lab when they were still considering entering the print market. They had virtually no printing experience at the time, but combined production technology, Infigo software, and the right partners to build what became a multimillion-dollar online business. For Doug, that example highlights something central to Infigo's approach. Software matters. But so do the people, knowledge, and experience surrounding it. In this INKISH film, Wayne talks with Doug Gibson about web-to-print, labels, APIs, automation, onboarding, AI, startups, and why the next generation of online print platforms shouldn't require customers to become software experts before they can start selling print. Because automation only really works when it also makes things simpler.

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Robots Don’t Create the ROI – Orchestration Does Β·Β Paul Van Der Hulst Β·Β CEO Β·Β Movigo Robotics

Autonomous mobile robots are easy to notice. They move pallets, reels, and materials around the production floor without anyone pushing a pallet jack. But according to Paul van der Horst, the robot itself is only the visible part of the solution. At Loupe Americas in Chicago, Wayne Beckett meets Paul on the HP booth to talk about AMRs β€” Autonomous Mobile Robots β€” and why the real value comes from the intelligence behind them. A printing press may be producing faster than the finishing equipment downstream. A cutter may suddenly be occupied. A binder may stop. A pallet may need to be removed immediately so the press can continue running. Production never follows a perfectly fixed sequence. That means material handling can't either. The system continuously monitors what is happening across the shop floor, creates transport tasks, changes priorities in real time, and decides where material should go next. If a finishing station isn't ready, the pallet can be moved to an intermediate location, tracked, and automatically delivered when capacity becomes available. The AMR performs the physical movement. The software makes the decisions. Integration with MIS data, production priorities, cameras, and live shop-floor information allows the system to react to what is actually happening rather than simply following a predetermined route. Wayne has already seen the technology operating at BlueTree, which Paul describes as a flagship installation. The company started with just two robots, but quickly expanded the fleet as the benefits became clear. And there is another important part of the story. Employees were initially concerned that robots might replace jobs. Instead, the AMRs removed many of the tasks people disliked most β€” transporting heavy pallets, fetching materials, and repeatedly walking across the production floor. With skilled labor increasingly difficult to find, automation can therefore become as much about retaining people as replacing manual processes. In this INKISH film, Wayne Beckett talks with Paul van der Horst about AMRs, intelligent material flow, bottlenecks, MIS integration, BlueTree, labor shortages, and why successful robotics isn't really about moving things from A to B. It's about knowing exactly what should move β€” and when.

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Digital, Hybrid and Now Flexo Β· Thomas Macina Β· Sales Director Labels & Flexible Β· Durst Group

Durst has built a strong position in digital label printing. Now the company is adding another important piece to the puzzle: flexo. At LOOP Americas in Chicago, Morten B. Reitoft meets Thomas from Durst to talk about the continued growth of the company's label business β€” and the newly announced acquisition of MPS. For Thomas, Durst's development in labels starts with something relatively simple: listening to customers. With almost 700 systems in the market, Durst receives continuous feedback about automation, sustainability, ease of operation, software, service, and the technologies converters need next. The company's advantage, Thomas explains, is having much of the necessary expertise internally β€” from R&D and ink development to software and production technology β€” allowing Durst to respond quickly. But customers don't live in an exclusively digital world. Digital remains core to Durst's strategy, but long runs still exist, flexo remains important, and a significant installed base of flexographic presses will eventually need to be replaced. That is where MPS fits. With MPS joining the Durst Group, Durst adds dedicated flexographic technology and expertise alongside its existing digital platforms and its hybrid cooperation with OMET. MPS will retain its own name and continue as MPS – A Durst Group Company. The ambition is broader than simply adding another press to the portfolio. Durst increasingly wants to offer customers a complete production environment encompassing digital, hybrid and flexographic printing, software, inks, automation, service and β€” increasingly β€” robotics and production intelligence. MPS also brings an established installed base and experienced team. Combined with Durst's international sales and service organization, the acquisition creates opportunities to strengthen support for MPS customers worldwide. And while the technology continues to expand, Thomas repeatedly returns to something less technical: people. Durst is family-owned, recently celebrated its 90th anniversary in Brixen, and places considerable emphasis on relationships among employees, customers, management, and R&D. For Thomas, those relationships ultimately enable technology and customer requirements to develop together. In this INKISH film, Morten talks with Thomas about Durst's growth in labels, customer relationships, digital printing, flexo, hybrid production, service, and why bringing MPS into the Durst Group represents much more than an acquisition. It brings Durst another step closer to offering the complete label-production ecosystem.

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Built for the Customers Who Needed It Yesterday Β· John Abbot Β· Abbott Label

Ask John Abbott where Abbott Label will be in five years, and you probably won't get a five-year plan. That isn't how he runs the company. Markets change. Customers change. New opportunities appear. RFID wasn't necessarily part of some perfectly mapped strategy years in advance, but today the business has grown so quickly that Abbott Label already needs additional equipment. Flexible packaging may be next. For John, the ability to react is more important than pretending everything can be predicted. Abbott Label operates five plants and sells exclusively for resale. The facilities share much of the same core capability, allowing the company to stay close to customers and move work where it makes the most sense. And speed is a major part of the company's identity. While some larger suppliers may work with lead times measured in weeks, Abbott Label has built its business around customers who need something tomorrow β€” or preferably yesterday. Stock materials, ready-to-ship products, similar capabilities across plants, and a production culture focused on throughput allow Abbott Label to turn many jobs around in just three to five days. That also makes software increasingly important. With five facilities, production planning isn't simply about optimizing one plant. Abbott Label needs visibility across the organization β€” and that is one of the reasons the company is moving forward with CERM. But John is also very clear that implementing an MIS isn't only a technology project. It's a people project. Abbott Label has employees who have been with the company for more than 25 years. Introducing new processes means helping experienced people change familiar ways of working while bringing younger, digitally native employees into the same environment. The company has therefore spent considerable time preparing and educating its teams before the new system becomes part of everyday production. And that perhaps says quite a lot about John Abbott himself. He knows presses. He knows what they should sound like when they're running properly. He knows what operators and equipment are capable of. But as Abbott Label has grown, his job has increasingly become less about operating machines and more about creating the environment where other people can succeed. In this INKISH film, Morten B. Reitoft talks with John Abbott about family, leadership, five plants, RFID, flexible packaging, CERM, managing change, customer service, and why Abbott Label has built its business around one simple reality: Customers rarely call because they need something in six weeks. They call because they need it now.

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Automation Without the Manual Work Β· Julie Watson

Ultimate Tech has been known for years for imposition and finishing automation in commercial print. But over the past four years, the company has been developing increasingly sophisticated solutions specifically for labels and packaging. At Labelexpo Americas in Chicago, Pat McGrew meets with Julie Watson from Ultimate Tech to discuss what that means in practice. For Ultimate Tech, automation means exactly that: removing manual work. The software can dynamically group jobs, batch production, create impositions on the fly, optimize complete print rolls, handle true-shape nesting, and generate the information required for cutting, embellishment, and finishing. The objective is to minimize waste, optimize substrate usage, and make better use of production capacity β€” without requiring operators to manually build layouts in applications such as InDesign. And the approach isn't limited to large companies. Ultimate Tech's modular platform can support smaller converters with automation straight out of the box, while larger organizations can connect the same technology with MIS, web-to-print, and other systems across a broader production ecosystem. AI naturally enters the conversation as well. Julie makes an important distinction between LLM-based AI and the precision required in print production. Imposition, nesting, and production calculations have to be repeatable and exact. But AI agents can sit upstream, analyze information, make decisions, and send structured instructions into a production workflow where Ultimate Tech then delivers the precise output required. The company already uses different forms of rules-based intelligence for applications including ganging, nesting, and automatically selecting appropriate impositions. For label and packaging companies struggling with missed deadlines, underutilized equipment, or too much manual intervention, Julie sees workflow automation as much more than software. It is a strategy. And increasingly, choosing a workflow platform also means considering where that technology is going next. Ultimate Tech continues investing in an architecture designed to connect with future automation, AI, and increasingly autonomous production environments. In this INKISH film, Pat McGrew talks with Julie Watson about label and packaging automation, imposition, nesting, AI, connected workflows, scalability, and why the future of production isn't simply about automating individual tasks. It's about removing the manual work between them.

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From Great Machines to Intelligent Production Β· Steve Lynn Β· Executive Director Β· DURST N. America

Steve Lynn used to compete against Durst. From the outside, he saw a premium brand, strong technology, highly reliable equipment, and a company that wasn't particularly easy to compete with. So when the opportunity came to join Durst North America seven or eight years ago, he didn't need much convincing. Today, as Executive Director of Durst North America, Steve has watched the company expand its position across labels, large format, corrugated, folding carton, software, and increasingly automation and AI. At LOOP in Chicago, Morten B. Reitoft talks with Steve about what drives that development. One characteristic is ambition. When Durst decides to enter a segment, the objective isn't simply to participate. In labels, for example, Durst made a strategic decision years ago to become a significant player, followed by continued investments in technology, products, people, and customer relationships. And those customer relationships are important. Steve describes how Durst tries to make every customer a reference customer β€” because whether a company officially introduces a prospect to that customer or not, people in the industry talk. The experience with the technology, service, people, and support ultimately becomes part of Durst's reputation. That feedback also travels back into development. Durst brings R&D and management close to customers in the individual regions, allowing the company to understand requirements that may differ between North America and Europe and use those conversations to influence future technology. But perhaps the biggest change is that Durst is increasingly thinking beyond individual printing systems. Kyveris represents an ambitious vision where machines, software, data, automation, and AI become part of one intelligent production environment. Rather than optimizing isolated pieces of equipment, the objective is to connect the factory and ultimately move toward increasingly autonomous production. For Steve, that responds directly to challenges printers already face: labor availability, automation, productivity, and the many isolated systems currently solving individual parts of the production process. And it is a bold promise. Kyveris isn't simply another machine with a specification and a price tag. It is a longer-term strategy for how production could operate β€” and one that will require not only technology development, but also close cooperation between Durst, its regional teams, and its customers. In this INKISH film, Morten talks with Steve Lynn about Durst's culture, customer relationships, competition, labels, software, future packaging opportunities, and why Kyveris may represent one of the company's most ambitious commitments yet. Because the next step isn't necessarily building a faster press. It may be making the entire factory smarter.

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Finishing Is Becoming Much More Than Finishing Β· Matty Woodcock Β· ABG

ABG has been a familiar name in label finishing for decades, but at LOOP Americas in Chicago, the company is showing just how broad that definition has become. Wayne Beckett meets Matty Woodcock from ABG at what is the company's largest-ever booth at the US edition of the show β€” and there is a lot to see. The focus is automation, workflow, embellishment, RFID, flexible packaging, and helping converters build more capability around the print engine. ABG Connect is one of the technologies on display, providing workflow automation and supporting highly automated production environments, particularly for web-to-order applications. But labels are only part of the story. ABG's FlexPack division is also showcasing pouch-making technology from Galaxy, combined with ABG's own inline digital embellishment β€” bringing decoration and finishing directly into pouch production in a way that Matty says is currently unique. RFID is another important area. Through a new partnership with Tamarack, ABG is demonstrating a completely non-stop RFID production line that combines unwinding, converting, RFID insertion, label application, and turret rewinding. And then there is HP. ABG and HP have worked together for decades, with ABG technology installed in HP demo centers and the two companies continuing to collaborate across labels, finishing, and digital pouch production. At LOOP, that relationship is visible again, with jobs moving between HP print technology and ABG finishing during the show itself. For ABG, North America remains an extremely important market. Although the company is headquartered in the UK, it has had a presence in the US for around 30 years β€” and the scale of the booth and the number of visitors on day one show how significant that market has become. In this INKISH film, Wayne talks with Matty about automation, digital embellishment, pouches, RFID, ABG Connect, the company's long relationship with HP, and why finishing today is becoming an increasingly integrated part of the complete production strategy. Because finishing is no longer simply what happens after printing. It is increasingly where much of the value is created.

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Modernizing the Equipment You Already Own Β· Kevin Loos Β· VP of Sales & International Business Β·Β MCS

For many printers and converters, the next big investment doesn't necessarily have to be an entirely new press. At LOOP Americas in Chicago, Morten B. Reitoft talks with Kevin from MCS about how retrofit inkjet technology can add new capabilities to equipment already installed on the production floor. MCS is returning its focus to labels and tags with new four-color technology designed to bring high-quality CMYK variable printing into existing production environments. And the economics are changing quickly. According to Kevin, a four-color inkjet system today can cost roughly as much as a monochrome print bar did just a few years ago. That opens completely new opportunities for companies that want to add color, shorter runs, personalization, and variable data without replacing their existing flexo or finishing equipment. The same trend is visible in direct mail, where demand for four-color variable data continues to grow. For MCS, flexibility is a key part of the strategy. The company's controller technology enables it to work with various printhead platforms and technology partners, including Fujifilm and HP, allowing MCS to tailor solutions to specific applications rather than forcing every customer into the same configuration. The new four-color systems can deliver 1200 dpi quality at speeds of up to 600 feet per minute β€” around 180 meters per minute β€” using technology already proven in high-volume production. But Kevin also points to another challenge facing the industry: people. The workforce is changing. Experienced operators are retiring, apprenticeships are less common, and production systems increasingly need to become easier to operate. That means simplifying workflows, removing proprietary formats, and building around standards such as PDF. For MCS, that is part of a much longer journey. From mechanical and analog technologies developed by the previous generation of the family to today's high-speed digital inkjet and variable-data systems, the company continues to evolve around one fundamental question: How can existing production become smarter, easier, and more productive? In this INKISH film, Morten talks with Kevin about labels, tags, four-color variable data, retrofit inkjet, HP and Fujifilm technology, workforce challenges, and why modernization doesn't always mean replacing what you already have. Sometimes, it means making it considerably more capable.

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Grand Rapids Label β€” 142 Years Old, Still Learning Β· Bill Bergstrom

Grand Rapids Label has been in business for 142 years. That means the company has obviously done quite a few things right. But for President Bill, respecting that history doesn't mean protecting everything the company has always done. It means understanding what made Grand Rapids Label successful β€” while continuously challenging how the business can become better. Bill became the first president from outside the founding family just three years ago, and today he is helping prepare Grand Rapids Label for its next chapter, where data, automation, digital production, AI, and increasingly sophisticated software become important tools alongside the knowledge and experience of its people. One of those investments is CERM. And the road to CERM wasn't completely straightforward. Grand Rapids Label had previously selected another major MIS platform, but during implementation the management team came to a difficult conclusion: it wasn't the right solution. So they stopped. Starting again wasn't easy, but the experience also gave the company a much clearer understanding of what it actually needed from an MIS partner. With CERM, Grand Rapids Label took a phased approach. First, focus on what absolutely has to work. Then build from there. That is particularly important for a company heavily involved in automotive and direct food-contact applications, where regulations, certifications, traceability, supply chains, and customer requirements leave little room for disruption. Today, CERM is becoming much more than an administrative system. Combined with Power BI and production technology, the data is being used by cross-functional teams throughout Grand Rapids Label to continuously identify opportunities for improvement β€” whether that means reducing order-entry time, improving estimating, optimizing press utilization, or finding smarter ways of producing work. Those teams meet every week. The objective isn't simply to collect more data. It is to turn data into better decisions. And Bill sees another important consequence: good data can allow management to decentralize decision-making. Give people trustworthy information, establish the right guardrails, and employees can make more decisions themselves without being micromanaged. That also changes how the ROI of an MIS should be considered. Unlike a printing press, where productivity and return can often be calculated relatively directly, the value of an MIS appears throughout the organization β€” in faster processes, better costing, higher utilization, improved profitability, stronger decision-making, and ultimately in the culture of the company. In this INKISH film, Morten B. Reitoft talks with Bill about 142 years of Grand Rapids Label, becoming the company's first president from outside the family, lessons from an MIS implementation that didn't work, the move to CERM, Power BI, continuous improvement, AI, and why technology should ultimately give people more freedom to make better decisions. Because staying successful for 142 years doesn't mean doing things the same way for 142 years.

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SCREEN + LabelHub β€” The Press Is Only Part of the Story Β· Charlie Brown & Peter Vogt

Buying a digital press used to be mostly about speed, resolution, quality, and productivity. That is changing. At Labelexpo Americas in Chicago, Morten B. Reitoft meets Charlie from SCREEN and Peter from LabelHub to talk about something increasingly important in label production: the entire workflow surrounding the press. Both come with years of hands-on experience from production environments. Charlie spent more than three decades in printing before moving to SCREEN, while Peter worked for 20 years as an IT manager at a Danish label-converting company before founding LabelHub. And that experience matters. SCREEN continues to develop its digital label portfolio, including wider and increasingly productive presses, but Charlie explains that customers today are looking at much more than specifications alone. They want to understand how orders enter the company, how files are prepared, how production is automated, how presses connect with finishing, and how errors can be removed before they become expensive. That is where LabelHub fits in. LabelHub integrates with established MIS platforms and combines production data with PDF files, simplifying ordering, reordering, and, increasingly, prepress processes in the cloud. The objective is straightforward: remove unnecessary complexity and make it easier for both converters and their customers to move work through the production process. And catching mistakes early matters. As Charlie puts it, the closer an error gets to the press, the more expensive it becomes to fix. Better upstream automation can save materials, labor, production time, and downstream capacity. For SCREEN, partnerships with companies such as LabelHub β€” together with finishing partners β€” make it possible to demonstrate something much broader than a printing engine. Even within a relatively compact exhibition booth, customers can see a complete label production environment from order and prepress through printing, finishing, and final product. For LabelHub, the journey has also changed significantly. Eight years ago, the company was still demonstrating concepts with PowerPoint because the software wasn't ready to be trusted live. Today, major customers run production through the platform, and prepress has become one of its fastest-growing areas. In this INKISH film, we talk about digital label production, workflow automation, MIS integration, cloud-based prepress, partnerships, and why selling a press today increasingly means being able to show the complete production ecosystem. Because the press may still be at the center of production. But it is no longer the whole story.

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GEW EOS β€” Making UV Curing Intelligent Β· Rob Rae

GEW has powered UV curing systems for decades, but with EOS the company is taking a significant step forward β€” turning the curing system itself into an increasingly intelligent and connected part of the press. At Labelexpo Americas in Chicago, Wayne Beckett meets Rob Rae from GEW to take a first look at EOS, the company's completely redesigned power and control platform that will gradually replace the established RHINO system. The lamps themselves may look familiar, but what happens behind them is very different. With EOS, GEW introduces intelligence directly into the lamp system. Individual lamps can be serialized and carry information about operating hours, switching cycles, reflector life, performance, and other telemetry β€” giving converters and OEMs significantly more insight into how their curing systems are actually being used. And that data is becoming increasingly valuable. Press manufacturers can integrate EOS deeply into their control environments, retrieve diagnostics and energy data, and potentially combine curing data with broader production information from the press. For converters, this opens opportunities to better understand uptime, energy consumption, maintenance requirements, and overall equipment performance. For OEMs, flexibility is another major part of the story. GEW can supply everything from a complete curing system with cabinets, cooling, fans, and HMI through to little more than the power supply, cable, and lamp β€” allowing machine manufacturers to decide how deeply they want to integrate the technology themselves. Rob describes it as Flexible Power. Intelligent Curing. EOS also marks another major change for GEW: the company is bringing production of the new platform in-house. A new 5,000-square-meter manufacturing facility represents a significant investment and gives GEW greater control and knowledge over one of the most critical technologies in its portfolio. In this INKISH film, Wayne Beckett talks with Rob Rae about EOS, intelligent UV curing, telemetry, energy data, OEM integration, IoT, and why the next generation of curing technology is increasingly about much more than simply turning a lamp on and off.

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BGM β€” New Ownership, Same Identity Β· Adam James

A year after becoming part of Duplo, BGM is entering a new phase β€” but Managing Director Adam James is clear about one thing: BGM will remain BGM. At Labelexpo Americas in Chicago, Wayne Beckett catches up with Adam James to discuss the acquisition, what being part of a larger organization means for BGM, and why the company continues to operate as a separate roll-fed specialist rather than simply becoming part of the Duplo product portfolio. With US distributor J&J representing BGM for around 20 years, the company is showing three very different solutions: the high-speed 450i label inspection slitter rewinder, the 370 EDSRT blank-label die-cutting system, and BGM's new compact digital finishing solution for varnishing, laminating, die-cutting, stripping, slitting, and rewinding in one pass. But machinery is only part of the conversation. Automation and production data are becoming increasingly important, and BGM is working to make machine information accessible in MIS environments β€” helping converters better understand productivity, machine performance, setup times, and even where additional operator training could improve output. The Duplo acquisition also gives BGM something important: the ability to think in the long term. Rather than chasing dramatic growth overnight, Adam James talks about organic development, greater security, and planning 10, 15, and even 20 years ahead. Part of that strategy will be simplifying BGM's extensive product portfolio, making it easier for customers to identify the core machine they need and then configure it with the appropriate options. Global domination? Maybe eventually. But apparently not within the next 12 months.

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CERM O2 β€” Building the MIS for What Comes Next Β· Mathias Erlandsson Β·Β CERM

A year after Omikai became part of CERM, Mathias is back in front of the INKISH camera β€” but this time with something entirely new to show. At Labelexpo Americas in Chicago, CERM introduces O2 for the first time. It is a new browser-based MIS platform combining the technology and thinking developed at Omikai with CERM's four decades of industry experience and extensive customer base. The first phase is aimed at label converters, initially targeting companies with around 10–20 employees. But the ambition is considerably bigger. O2 has been built API-first. Everything that can be done through the user interface can also be accessed through APIs β€” and through MCP, allowing users and developers to interact with the system from LLMs, build their own integrations, develop alternative interfaces, and potentially automate processes in entirely new ways. For Mathias, that architecture reflects a fundamental change in how MIS systems will be used. Rather than seeing the MIS simply as an application employees log into, CERM sees O2 increasingly as an engine behind other applications, integrations, AI tools, and workflows. The user interface itself has also been designed around simplicity. Customer service employees increasingly need to work quickly, often without years of specialist print knowledge, making ease of use just as important as what happens behind the scenes. And O2 won't stop with labels. The roadmap includes flexible packaging, folding cartons, multi-site organizations, and increasingly complex production environments. For Mathias, the acquisition has also created a very different working life. As CEO and owner of Omikai, product development was only one of many responsibilities. Inside CERM, his assignment has become wonderfully simple β€” although perhaps not easy: Build the best product possible. O2 is being shown publicly for the first time in Chicago, with selected customers expected to begin using the platform in early 2027. In this INKISH film, Morten B. Reitoft talks with Mathias about the journey from Omikai to CERM, API-first development, AI and MCP, simplicity in MIS, and why O2 may represent much more than simply another new management information system.