En thumbnails of the images

Robots Don’t Create the ROI – Orchestration Does · Paul Van Der Hulst · CEO · Movigo Robotics

Autonomous mobile robots are easy to notice. They move pallets, reels, and materials around the production floor without anyone pushing a pallet jack. But according to Paul van der Horst, the robot itself is only the visible part of the solution. At Loupe Americas in Chicago, Wayne Beckett meets Paul on the HP booth to talk about AMRs — Autonomous Mobile Robots — and why the real value comes from the intelligence behind them. A printing press may be producing faster than the finishing equipment downstream. A cutter may suddenly be occupied. A binder may stop. A pallet may need to be removed immediately so the press can continue running. Production never follows a perfectly fixed sequence. That means material handling can't either. The system continuously monitors what is happening across the shop floor, creates transport tasks, changes priorities in real time, and decides where material should go next. If a finishing station isn't ready, the pallet can be moved to an intermediate location, tracked, and automatically delivered when capacity becomes available. The AMR performs the physical movement. The software makes the decisions. Integration with MIS data, production priorities, cameras, and live shop-floor information allows the system to react to what is actually happening rather than simply following a predetermined route. Wayne has already seen the technology operating at BlueTree, which Paul describes as a flagship installation. The company started with just two robots, but quickly expanded the fleet as the benefits became clear. And there is another important part of the story. Employees were initially concerned that robots might replace jobs. Instead, the AMRs removed many of the tasks people disliked most — transporting heavy pallets, fetching materials, and repeatedly walking across the production floor. With skilled labor increasingly difficult to find, automation can therefore become as much about retaining people as replacing manual processes. In this INKISH film, Wayne Beckett talks with Paul van der Horst about AMRs, intelligent material flow, bottlenecks, MIS integration, BlueTree, labor shortages, and why successful robotics isn't really about moving things from A to B. It's about knowing exactly what should move — and when.

En thumbnails of the images

Digital, Hybrid and Now Flexo · Thomas Macina · Sales Director Labels & Flexible · Durst Group

Durst has built a strong position in digital label printing. Now the company is adding another important piece to the puzzle: flexo. At LOOP Americas in Chicago, Morten B. Reitoft meets Thomas from Durst to talk about the continued growth of the company's label business — and the newly announced acquisition of MPS. For Thomas, Durst's development in labels starts with something relatively simple: listening to customers. With almost 700 systems in the market, Durst receives continuous feedback about automation, sustainability, ease of operation, software, service, and the technologies converters need next. The company's advantage, Thomas explains, is having much of the necessary expertise internally — from R&D and ink development to software and production technology — allowing Durst to respond quickly. But customers don't live in an exclusively digital world. Digital remains core to Durst's strategy, but long runs still exist, flexo remains important, and a significant installed base of flexographic presses will eventually need to be replaced. That is where MPS fits. With MPS joining the Durst Group, Durst adds dedicated flexographic technology and expertise alongside its existing digital platforms and its hybrid cooperation with OMET. MPS will retain its own name and continue as MPS – A Durst Group Company. The ambition is broader than simply adding another press to the portfolio. Durst increasingly wants to offer customers a complete production environment encompassing digital, hybrid and flexographic printing, software, inks, automation, service and — increasingly — robotics and production intelligence. MPS also brings an established installed base and experienced team. Combined with Durst's international sales and service organization, the acquisition creates opportunities to strengthen support for MPS customers worldwide. And while the technology continues to expand, Thomas repeatedly returns to something less technical: people. Durst is family-owned, recently celebrated its 90th anniversary in Brixen, and places considerable emphasis on relationships among employees, customers, management, and R&D. For Thomas, those relationships ultimately enable technology and customer requirements to develop together. In this INKISH film, Morten talks with Thomas about Durst's growth in labels, customer relationships, digital printing, flexo, hybrid production, service, and why bringing MPS into the Durst Group represents much more than an acquisition. It brings Durst another step closer to offering the complete label-production ecosystem.

En thumbnails of the images

Built for the Customers Who Needed It Yesterday · John Abbot · Abbott Label

Ask John Abbott where Abbott Label will be in five years, and you probably won't get a five-year plan. That isn't how he runs the company. Markets change. Customers change. New opportunities appear. RFID wasn't necessarily part of some perfectly mapped strategy years in advance, but today the business has grown so quickly that Abbott Label already needs additional equipment. Flexible packaging may be next. For John, the ability to react is more important than pretending everything can be predicted. Abbott Label operates five plants and sells exclusively for resale. The facilities share much of the same core capability, allowing the company to stay close to customers and move work where it makes the most sense. And speed is a major part of the company's identity. While some larger suppliers may work with lead times measured in weeks, Abbott Label has built its business around customers who need something tomorrow — or preferably yesterday. Stock materials, ready-to-ship products, similar capabilities across plants, and a production culture focused on throughput allow Abbott Label to turn many jobs around in just three to five days. That also makes software increasingly important. With five facilities, production planning isn't simply about optimizing one plant. Abbott Label needs visibility across the organization — and that is one of the reasons the company is moving forward with CERM. But John is also very clear that implementing an MIS isn't only a technology project. It's a people project. Abbott Label has employees who have been with the company for more than 25 years. Introducing new processes means helping experienced people change familiar ways of working while bringing younger, digitally native employees into the same environment. The company has therefore spent considerable time preparing and educating its teams before the new system becomes part of everyday production. And that perhaps says quite a lot about John Abbott himself. He knows presses. He knows what they should sound like when they're running properly. He knows what operators and equipment are capable of. But as Abbott Label has grown, his job has increasingly become less about operating machines and more about creating the environment where other people can succeed. In this INKISH film, Morten B. Reitoft talks with John Abbott about family, leadership, five plants, RFID, flexible packaging, CERM, managing change, customer service, and why Abbott Label has built its business around one simple reality: Customers rarely call because they need something in six weeks. They call because they need it now.

En thumbnails of the images

Automation Without the Manual Work · Julie Watson

Ultimate Tech has been known for years for imposition and finishing automation in commercial print. But over the past four years, the company has been developing increasingly sophisticated solutions specifically for labels and packaging. At Labelexpo Americas in Chicago, Pat McGrew meets with Julie Watson from Ultimate Tech to discuss what that means in practice. For Ultimate Tech, automation means exactly that: removing manual work. The software can dynamically group jobs, batch production, create impositions on the fly, optimize complete print rolls, handle true-shape nesting, and generate the information required for cutting, embellishment, and finishing. The objective is to minimize waste, optimize substrate usage, and make better use of production capacity — without requiring operators to manually build layouts in applications such as InDesign. And the approach isn't limited to large companies. Ultimate Tech's modular platform can support smaller converters with automation straight out of the box, while larger organizations can connect the same technology with MIS, web-to-print, and other systems across a broader production ecosystem. AI naturally enters the conversation as well. Julie makes an important distinction between LLM-based AI and the precision required in print production. Imposition, nesting, and production calculations have to be repeatable and exact. But AI agents can sit upstream, analyze information, make decisions, and send structured instructions into a production workflow where Ultimate Tech then delivers the precise output required. The company already uses different forms of rules-based intelligence for applications including ganging, nesting, and automatically selecting appropriate impositions. For label and packaging companies struggling with missed deadlines, underutilized equipment, or too much manual intervention, Julie sees workflow automation as much more than software. It is a strategy. And increasingly, choosing a workflow platform also means considering where that technology is going next. Ultimate Tech continues investing in an architecture designed to connect with future automation, AI, and increasingly autonomous production environments. In this INKISH film, Pat McGrew talks with Julie Watson about label and packaging automation, imposition, nesting, AI, connected workflows, scalability, and why the future of production isn't simply about automating individual tasks. It's about removing the manual work between them.

En thumbnails of the images

From Great Machines to Intelligent Production · Steve Lynn · Executive Director · DURST N. America

Steve Lynn used to compete against Durst. From the outside, he saw a premium brand, strong technology, highly reliable equipment, and a company that wasn't particularly easy to compete with. So when the opportunity came to join Durst North America seven or eight years ago, he didn't need much convincing. Today, as Executive Director of Durst North America, Steve has watched the company expand its position across labels, large format, corrugated, folding carton, software, and increasingly automation and AI. At LOOP in Chicago, Morten B. Reitoft talks with Steve about what drives that development. One characteristic is ambition. When Durst decides to enter a segment, the objective isn't simply to participate. In labels, for example, Durst made a strategic decision years ago to become a significant player, followed by continued investments in technology, products, people, and customer relationships. And those customer relationships are important. Steve describes how Durst tries to make every customer a reference customer — because whether a company officially introduces a prospect to that customer or not, people in the industry talk. The experience with the technology, service, people, and support ultimately becomes part of Durst's reputation. That feedback also travels back into development. Durst brings R&D and management close to customers in the individual regions, allowing the company to understand requirements that may differ between North America and Europe and use those conversations to influence future technology. But perhaps the biggest change is that Durst is increasingly thinking beyond individual printing systems. Kyveris represents an ambitious vision where machines, software, data, automation, and AI become part of one intelligent production environment. Rather than optimizing isolated pieces of equipment, the objective is to connect the factory and ultimately move toward increasingly autonomous production. For Steve, that responds directly to challenges printers already face: labor availability, automation, productivity, and the many isolated systems currently solving individual parts of the production process. And it is a bold promise. Kyveris isn't simply another machine with a specification and a price tag. It is a longer-term strategy for how production could operate — and one that will require not only technology development, but also close cooperation between Durst, its regional teams, and its customers. In this INKISH film, Morten talks with Steve Lynn about Durst's culture, customer relationships, competition, labels, software, future packaging opportunities, and why Kyveris may represent one of the company's most ambitious commitments yet. Because the next step isn't necessarily building a faster press. It may be making the entire factory smarter.

En thumbnails of the images

Finishing Is Becoming Much More Than Finishing · Matty Woodcock · ABG

ABG has been a familiar name in label finishing for decades, but at LOOP Americas in Chicago, the company is showing just how broad that definition has become. Wayne Beckett meets Matty Woodcock from ABG at what is the company's largest-ever booth at the US edition of the show — and there is a lot to see. The focus is automation, workflow, embellishment, RFID, flexible packaging, and helping converters build more capability around the print engine. ABG Connect is one of the technologies on display, providing workflow automation and supporting highly automated production environments, particularly for web-to-order applications. But labels are only part of the story. ABG's FlexPack division is also showcasing pouch-making technology from Galaxy, combined with ABG's own inline digital embellishment — bringing decoration and finishing directly into pouch production in a way that Matty says is currently unique. RFID is another important area. Through a new partnership with Tamarack, ABG is demonstrating a completely non-stop RFID production line that combines unwinding, converting, RFID insertion, label application, and turret rewinding. And then there is HP. ABG and HP have worked together for decades, with ABG technology installed in HP demo centers and the two companies continuing to collaborate across labels, finishing, and digital pouch production. At LOOP, that relationship is visible again, with jobs moving between HP print technology and ABG finishing during the show itself. For ABG, North America remains an extremely important market. Although the company is headquartered in the UK, it has had a presence in the US for around 30 years — and the scale of the booth and the number of visitors on day one show how significant that market has become. In this INKISH film, Wayne talks with Matty about automation, digital embellishment, pouches, RFID, ABG Connect, the company's long relationship with HP, and why finishing today is becoming an increasingly integrated part of the complete production strategy. Because finishing is no longer simply what happens after printing. It is increasingly where much of the value is created.

En thumbnails of the images

Modernizing the Equipment You Already Own · Kevin Loos · VP of Sales & International Business · MCS

For many printers and converters, the next big investment doesn't necessarily have to be an entirely new press. At LOOP Americas in Chicago, Morten B. Reitoft talks with Kevin from MCS about how retrofit inkjet technology can add new capabilities to equipment already installed on the production floor. MCS is returning its focus to labels and tags with new four-color technology designed to bring high-quality CMYK variable printing into existing production environments. And the economics are changing quickly. According to Kevin, a four-color inkjet system today can cost roughly as much as a monochrome print bar did just a few years ago. That opens completely new opportunities for companies that want to add color, shorter runs, personalization, and variable data without replacing their existing flexo or finishing equipment. The same trend is visible in direct mail, where demand for four-color variable data continues to grow. For MCS, flexibility is a key part of the strategy. The company's controller technology enables it to work with various printhead platforms and technology partners, including Fujifilm and HP, allowing MCS to tailor solutions to specific applications rather than forcing every customer into the same configuration. The new four-color systems can deliver 1200 dpi quality at speeds of up to 600 feet per minute — around 180 meters per minute — using technology already proven in high-volume production. But Kevin also points to another challenge facing the industry: people. The workforce is changing. Experienced operators are retiring, apprenticeships are less common, and production systems increasingly need to become easier to operate. That means simplifying workflows, removing proprietary formats, and building around standards such as PDF. For MCS, that is part of a much longer journey. From mechanical and analog technologies developed by the previous generation of the family to today's high-speed digital inkjet and variable-data systems, the company continues to evolve around one fundamental question: How can existing production become smarter, easier, and more productive? In this INKISH film, Morten talks with Kevin about labels, tags, four-color variable data, retrofit inkjet, HP and Fujifilm technology, workforce challenges, and why modernization doesn't always mean replacing what you already have. Sometimes, it means making it considerably more capable.

En thumbnails of the images

Grand Rapids Label — 142 Years Old, Still Learning · Bill Bergstrom

Grand Rapids Label has been in business for 142 years. That means the company has obviously done quite a few things right. But for President Bill, respecting that history doesn't mean protecting everything the company has always done. It means understanding what made Grand Rapids Label successful — while continuously challenging how the business can become better. Bill became the first president from outside the founding family just three years ago, and today he is helping prepare Grand Rapids Label for its next chapter, where data, automation, digital production, AI, and increasingly sophisticated software become important tools alongside the knowledge and experience of its people. One of those investments is CERM. And the road to CERM wasn't completely straightforward. Grand Rapids Label had previously selected another major MIS platform, but during implementation the management team came to a difficult conclusion: it wasn't the right solution. So they stopped. Starting again wasn't easy, but the experience also gave the company a much clearer understanding of what it actually needed from an MIS partner. With CERM, Grand Rapids Label took a phased approach. First, focus on what absolutely has to work. Then build from there. That is particularly important for a company heavily involved in automotive and direct food-contact applications, where regulations, certifications, traceability, supply chains, and customer requirements leave little room for disruption. Today, CERM is becoming much more than an administrative system. Combined with Power BI and production technology, the data is being used by cross-functional teams throughout Grand Rapids Label to continuously identify opportunities for improvement — whether that means reducing order-entry time, improving estimating, optimizing press utilization, or finding smarter ways of producing work. Those teams meet every week. The objective isn't simply to collect more data. It is to turn data into better decisions. And Bill sees another important consequence: good data can allow management to decentralize decision-making. Give people trustworthy information, establish the right guardrails, and employees can make more decisions themselves without being micromanaged. That also changes how the ROI of an MIS should be considered. Unlike a printing press, where productivity and return can often be calculated relatively directly, the value of an MIS appears throughout the organization — in faster processes, better costing, higher utilization, improved profitability, stronger decision-making, and ultimately in the culture of the company. In this INKISH film, Morten B. Reitoft talks with Bill about 142 years of Grand Rapids Label, becoming the company's first president from outside the family, lessons from an MIS implementation that didn't work, the move to CERM, Power BI, continuous improvement, AI, and why technology should ultimately give people more freedom to make better decisions. Because staying successful for 142 years doesn't mean doing things the same way for 142 years.

En thumbnails of the images

SCREEN + LabelHub — The Press Is Only Part of the Story · Charlie Brown & Peter Vogt

Buying a digital press used to be mostly about speed, resolution, quality, and productivity. That is changing. At Labelexpo Americas in Chicago, Morten B. Reitoft meets Charlie from SCREEN and Peter from LabelHub to talk about something increasingly important in label production: the entire workflow surrounding the press. Both come with years of hands-on experience from production environments. Charlie spent more than three decades in printing before moving to SCREEN, while Peter worked for 20 years as an IT manager at a Danish label-converting company before founding LabelHub. And that experience matters. SCREEN continues to develop its digital label portfolio, including wider and increasingly productive presses, but Charlie explains that customers today are looking at much more than specifications alone. They want to understand how orders enter the company, how files are prepared, how production is automated, how presses connect with finishing, and how errors can be removed before they become expensive. That is where LabelHub fits in. LabelHub integrates with established MIS platforms and combines production data with PDF files, simplifying ordering, reordering, and, increasingly, prepress processes in the cloud. The objective is straightforward: remove unnecessary complexity and make it easier for both converters and their customers to move work through the production process. And catching mistakes early matters. As Charlie puts it, the closer an error gets to the press, the more expensive it becomes to fix. Better upstream automation can save materials, labor, production time, and downstream capacity. For SCREEN, partnerships with companies such as LabelHub — together with finishing partners — make it possible to demonstrate something much broader than a printing engine. Even within a relatively compact exhibition booth, customers can see a complete label production environment from order and prepress through printing, finishing, and final product. For LabelHub, the journey has also changed significantly. Eight years ago, the company was still demonstrating concepts with PowerPoint because the software wasn't ready to be trusted live. Today, major customers run production through the platform, and prepress has become one of its fastest-growing areas. In this INKISH film, we talk about digital label production, workflow automation, MIS integration, cloud-based prepress, partnerships, and why selling a press today increasingly means being able to show the complete production ecosystem. Because the press may still be at the center of production. But it is no longer the whole story.

En thumbnails of the images

GEW EOS — Making UV Curing Intelligent · Rob Rae

GEW has powered UV curing systems for decades, but with EOS the company is taking a significant step forward — turning the curing system itself into an increasingly intelligent and connected part of the press. At Labelexpo Americas in Chicago, Wayne Beckett meets Rob Rae from GEW to take a first look at EOS, the company's completely redesigned power and control platform that will gradually replace the established RHINO system. The lamps themselves may look familiar, but what happens behind them is very different. With EOS, GEW introduces intelligence directly into the lamp system. Individual lamps can be serialized and carry information about operating hours, switching cycles, reflector life, performance, and other telemetry — giving converters and OEMs significantly more insight into how their curing systems are actually being used. And that data is becoming increasingly valuable. Press manufacturers can integrate EOS deeply into their control environments, retrieve diagnostics and energy data, and potentially combine curing data with broader production information from the press. For converters, this opens opportunities to better understand uptime, energy consumption, maintenance requirements, and overall equipment performance. For OEMs, flexibility is another major part of the story. GEW can supply everything from a complete curing system with cabinets, cooling, fans, and HMI through to little more than the power supply, cable, and lamp — allowing machine manufacturers to decide how deeply they want to integrate the technology themselves. Rob describes it as Flexible Power. Intelligent Curing. EOS also marks another major change for GEW: the company is bringing production of the new platform in-house. A new 5,000-square-meter manufacturing facility represents a significant investment and gives GEW greater control and knowledge over one of the most critical technologies in its portfolio. In this INKISH film, Wayne Beckett talks with Rob Rae about EOS, intelligent UV curing, telemetry, energy data, OEM integration, IoT, and why the next generation of curing technology is increasingly about much more than simply turning a lamp on and off.

En thumbnails of the images

BGM — New Ownership, Same Identity · Adam James

A year after becoming part of Duplo, BGM is entering a new phase — but Managing Director Adam James is clear about one thing: BGM will remain BGM. At Labelexpo Americas in Chicago, Wayne Beckett catches up with Adam James to discuss the acquisition, what being part of a larger organization means for BGM, and why the company continues to operate as a separate roll-fed specialist rather than simply becoming part of the Duplo product portfolio. With US distributor J&J representing BGM for around 20 years, the company is showing three very different solutions: the high-speed 450i label inspection slitter rewinder, the 370 EDSRT blank-label die-cutting system, and BGM's new compact digital finishing solution for varnishing, laminating, die-cutting, stripping, slitting, and rewinding in one pass. But machinery is only part of the conversation. Automation and production data are becoming increasingly important, and BGM is working to make machine information accessible in MIS environments — helping converters better understand productivity, machine performance, setup times, and even where additional operator training could improve output. The Duplo acquisition also gives BGM something important: the ability to think in the long term. Rather than chasing dramatic growth overnight, Adam James talks about organic development, greater security, and planning 10, 15, and even 20 years ahead. Part of that strategy will be simplifying BGM's extensive product portfolio, making it easier for customers to identify the core machine they need and then configure it with the appropriate options. Global domination? Maybe eventually. But apparently not within the next 12 months.

En thumbnails of the images

CERM O2 — Building the MIS for What Comes Next · Mathias Erlandsson · CERM

A year after Omikai became part of CERM, Mathias is back in front of the INKISH camera — but this time with something entirely new to show. At Labelexpo Americas in Chicago, CERM introduces O2 for the first time. It is a new browser-based MIS platform combining the technology and thinking developed at Omikai with CERM's four decades of industry experience and extensive customer base. The first phase is aimed at label converters, initially targeting companies with around 10–20 employees. But the ambition is considerably bigger. O2 has been built API-first. Everything that can be done through the user interface can also be accessed through APIs — and through MCP, allowing users and developers to interact with the system from LLMs, build their own integrations, develop alternative interfaces, and potentially automate processes in entirely new ways. For Mathias, that architecture reflects a fundamental change in how MIS systems will be used. Rather than seeing the MIS simply as an application employees log into, CERM sees O2 increasingly as an engine behind other applications, integrations, AI tools, and workflows. The user interface itself has also been designed around simplicity. Customer service employees increasingly need to work quickly, often without years of specialist print knowledge, making ease of use just as important as what happens behind the scenes. And O2 won't stop with labels. The roadmap includes flexible packaging, folding cartons, multi-site organizations, and increasingly complex production environments. For Mathias, the acquisition has also created a very different working life. As CEO and owner of Omikai, product development was only one of many responsibilities. Inside CERM, his assignment has become wonderfully simple — although perhaps not easy: Build the best product possible. O2 is being shown publicly for the first time in Chicago, with selected customers expected to begin using the platform in early 2027. In this INKISH film, Morten B. Reitoft talks with Mathias about the journey from Omikai to CERM, API-first development, AI and MCP, simplicity in MIS, and why O2 may represent much more than simply another new management information system.

En thumbnails of the images

CERM O2 — Building the Future Before You Need It · Jan Heyse

CERM already has a successful enterprise MIS in CERM 7. So why invest heavily in building an entirely new platform at the same time? For Jan, the answer is simple: because standing still isn't an option. At Labelexpo Americas in Chicago, CERM is publicly showcasing O2 for the first time — a cloud-native, multi-tenant MIS platform developed alongside CERM 7 and designed to become an increasingly important part of the company's long-term future. Initially, O2 will focus on smaller label converters — typically businesses with perhaps 10–15 employees, one or two presses, a handful of finishing devices, and relatively straightforward production requirements. But that is only the starting point. CERM's ambition is ultimately to develop O2 into an enterprise-level MIS capable of supporting increasingly complex label, packaging, and multi-site environments. And the architecture matters. Rather than simply hosting traditional client-server software in the cloud, O2 has been designed as a genuinely cloud-native, multi-tenant platform. For customers, that potentially means faster deployment, easier maintenance, improved scalability, and less dependence on local servers and IT infrastructure. Of course, building a new MIS while continuing to develop an established flagship product requires considerable investment — and perhaps a little courage. CERM is very clear that existing CERM 7 customers won't be forced to migrate. Development of CERM 7 continues, and as O2 evolves, CERM plans to create migration tools that can eventually provide a smoother path between the platforms when — and if — customers decide the time is right. For Jan, this is about thinking long term. Not next year. But 10, 15, and 20 years ahead. In this INKISH film, Morten B. Reitoft talks with Jan about why CERM decided to build O2, the difference between hosted and truly cloud-native software, where O2 fits alongside CERM 7, and why sometimes the biggest risk for a successful software company is doing nothing. And yes — we still think O2 is a freaking good name.

En thumbnails of the images

Brook + Whittle — Matching the Right Technology with the Right Work · Eric Rivard

Brook + Whittle has grown into one of North America's leading packaging companies, producing labels, shrink sleeves, and flexible packaging across a network of 12 operations. But scale alone isn't the strategy. Each facility has different capabilities and specializations — from flexo and digital to short-run, long-run, e-commerce, and specialty applications. The opportunity, according to Eric from Brook + Whittle, is to use that network intelligently and match each customer's work with the technology, location, and production method that makes the most sense. At Labelexpo Americas in Chicago, Morten B. Reitoft meets Eric Rivard at the Gallus and Heidelberg booth to talk about Brook + Whittle's continued investments and its long-standing relationship with Gallus. That relationship is now expanding with the addition of a Gallus One. The decision wasn't simply about buying another press. Brook + Whittle worked with Gallus over several months, testing real production jobs and evaluating where the technology would best fit within the group's manufacturing network. Existing experience with Gallus Labelmaster presses also played an important role in the decision. For Brook + Whittle, digital, flexo, and hybrid technologies aren't competing philosophies. They are tools that allow the company to choose the most productive and cost-effective manufacturing route for each application while maintaining the color consistency and quality demanded by major brands. Sustainability is becoming another increasingly important part of those conversations. As Extended Producer Responsibility requirements develop across the US, Brook + Whittle sees an opportunity to help brands make better packaging decisions around recyclability, materials, and long-term packaging strategies. And behind all of this sits another important element: automation. With multiple production sites, automating prepress, production workflows, and data exchange is essential if Brook + Whittle wants to optimize capacity across the entire network rather than focusing on each plant individually. In this INKISH film, we talk about growth through acquisition, multi-site production, Gallus technology, digital versus flexo, sustainability, automation, and why the future isn't necessarily about choosing one printing technology over another. It's about choosing the right technology for the right work.

En thumbnails of the images

Andrea Albanese · From One Copy to Thousands — Automation Driving Production · Pixartprinting

Books and magazines are an important part of Pixartprinting’s business, and with around 1,000 different orders moving through production every day, automation isn’t simply an advantage — it’s essential. At Pixartprinting, production starts from just one copy, putting enormous demands on workflow integration, reliability, changeover times, and waste reduction. Two Canon ProStream presses form part of the production setup, combined with Müller Martini finishing solutions in both nearline and inline configurations. The latest GEN8 roll-to-stack solution can process a wide variety of formats and substrates at speeds of up to 160 meters per minute, while an inline installation connected to a ProStream 3000 uses buffering to enable automatic changeovers without stopping production. The flexibility is impressive. Pixartprinting can change between seven or eight different substrates every day, covering weights from around 100 to 250 gsm, while keeping production efficient and predictable. But the machines are only part of the story. Pixartprinting has built a highly automated digital workflow connecting its production equipment and enabling thousands of individual jobs to move through the factory with minimal manual intervention. Being part of the Cimpress family also creates opportunities for production sharing between plants and brands when products and capabilities overlap. Sustainability plays an equally important role. Since 2018, Pixartprinting has operated using renewable energy sources and recycles almost 90% of its production waste. When producing single-copy products, avoiding waste becomes both an economic and environmental necessity. In this film, we take a closer look at the thinking behind Pixartprinting’s book and magazine production, its partnership with Müller Martini, and why increasing product complexity will make automation, digitalization, and inline production even more important in the years ahead. Enjoy!

En thumbnails of the images

You Have to Jump the River — Prima IP Goes All-In on Digital Print · Primož Štrumbelj · CEO

Sometimes transformation requires more than taking small steps. As Primož Štrumbelj from Prima IP puts it: if you want to cross a river, you have to jump all the way to the other side. That philosophy says a lot about Prima IP. Located just outside Ljubljana, Slovenia, the family-owned company has undergone dramatic transformation over the years. What started with traditional screen and offset printing has today become an almost entirely digital operation, covering dye-sublimation, textile printing, large-format — and now industrial digital book production. Primož describes himself as a technology enthusiast, and that curiosity has clearly influenced the company's development. But as he emphasizes in our conversation, technology alone doesn't create success. The people who operate it, develop the business, and work with customers are equally important. The latest major step was Prima IP's investment in an HP PageWide Advantage 2200, along with automated Hunkeler and Müller Martini finishing technology. Going from cut-sheet digital production to a high-capacity roll-fed inkjet platform wasn't simply another equipment purchase — it represented an entirely new production philosophy. And there was no halfway solution. With the investment, Prima IP can address the growing demand from Slovenian publishers for shorter and medium-sized book runs, while producing everything from softcover and wire-bound products to sewn and hardcover books. For many publishers, Primož explains, seeing the production environment changes their perception of digital print. What was once considered a compromise compared with offset has developed into highly automated industrial production capable of delivering excellent quality, short runs, variable products and increasingly personalized applications. And personalization is exactly where Primož sees some of the biggest opportunities ahead. Combining data, AI, digital printing and automated finishing could enable everything from personalized books and notebooks to highly targeted printed communication. At the same time, Prima IP is developing its own products while serving as a white-label production partner. The river was big. Prima IP jumped. And the journey has only just started.

En thumbnails of the images

Print is Back — and Books are Changing at Bidvest Data · Kim Farinha · Sales Manager

At Bidvest Data outside Cape Town, books are an important part of the business — and for Kim, selling them is about much more than price. Publishers expect competitive pricing, excellent quality and increasingly fast turnaround times. Digital print has changed those expectations dramatically, but it has also created new opportunities. With Canon ColorStream inkjet technology, Bidvest Data can produce short runs efficiently and offer affordable colour printing while maintaining the quality customers expect. Today, typical book orders may start around 50 copies, but the direction is clear. Book-of-one production, fulfilment and direct distribution could become an increasingly important part of the business, allowing publishers to reduce inventory, lower financial risk and sell titles without having hundreds or thousands of copies sitting in a warehouse. Bidvest Data already serves customers beyond South Africa, shipping into Sub-Saharan Africa as well as international markets including North America. The ambition is to make the company an increasingly complete partner — printing, fulfilling and ultimately delivering books directly to the customer. And while technology continues to develop, some traditions remain. Hardcover books at Bidvest Data are still case-made largely by hand. It may sound old-school compared with highly automated book factories elsewhere in the world, but Kim explains that the craftsmanship and resulting quality are exactly what bring customers back. After many years in the printing industry, Kim has seen enormous technological change, particularly with inkjet. Colour quality, productivity and economics have reached a point where completely new business models are possible. Her outlook for the future is equally clear: Print is not disappearing. Print is back — and here to stay.

En En thumbnails of the images

CERM Enables Better Data which helps with Better Decisions · Gareth Boyd · Blue Label Packaging

At Blue Label Packaging, technology is important—but people, partnerships, and the ability to use data intelligently are what really make the difference. In this film, Morten B. Reitoft talks to Gareth Boyd, Director of Finance at Blue Label Packaging, about how the company uses technology, data, and strong partnerships to continuously improve its business. Blue Label has grown from its roots in craft beer labels into a much broader label business serving breweries, wineries, spirits, specialty foods, and brands found on shelves across the US. Along the way, the company has built an impressive technology platform that combines HP digital printing, ABG finishing, and CERM, with CERM serving as the software backbone connecting production, administration, customer data, and increasingly sophisticated reporting. For Gareth Boyd, the financial perspective goes far beyond traditional accounting. Live shop-floor information, consumptions, clockings, sales figures, production data, and customer information flow through CERM and into Power BI, giving him and the management team an almost immediate view of what is happening throughout the business. That visibility also changes process improvement. Instead of implementing a change and waiting months to determine whether it worked, Blue Label can see the impact in the numbers almost immediately. Different departments can build reporting around exactly the information they need—from marketing and sales to production, operations, and finance. But the story is also about something less measurable: partnership. Gareth describes CERM as a company willing to listen, customize, connect old and new technology, and develop solutions when a customer requirement doesn’t fit neatly into an existing box. Over the years, CERM has evolved from essentially being the system where orders were placed into something Blue Label simply cannot imagine operating without. And perhaps that philosophy reflects Blue Label itself. Quality and delivery are expected. What differentiates a company is how it responds when something doesn’t go exactly as planned—whether someone answers the phone, solves the problem, and continues investing in the relationship. Technology, live data, process improvement, culture, and people all come together in this conversation with Gareth Boyd—a fascinating insight into how Blue Label Packaging continues to develop its business with a long-term perspective.

En thumbnails of the images

From Vinyl to Books · Lance Svoboda · VP of Book Manufacturing · OnPress

As we arrived at OnPress in our Uber, we immediately noticed that the building seemed to house several different businesses. It quickly became clear, however, that many of the names were actually part of OnPress itself, reflecting the wide range of services the company offers. Back when CDs and DVDs were huge, they represented a significant part of OnPress’ business, and as those markets changed, so did the company. Interestingly, OnPress still produces a considerable number of CDs and DVDs, so despite the obvious decline in demand, these formats remain popular for certain applications and markets. We quickly moved on to the printing side of the business, where a line of Xeikon presses was set up to produce roll-to-roll. As the VP of Book Manufacturing Lance Svoboda explained, these machines are true workhorses. They run almost 24/7, deliver remarkably consistent quality, and rarely require major service, making them ideal for the type of production OnPress handles. The main reason for our visit, however, was OnPress’ recent investment in Meccanotecnica’s perfect binding line. The system is used for both paperback production and producing book blocks for hardcover books, and everything is installed in an impressively compact and efficient setup. I must admit that the print quality from the Xeikon presses combined with the chosen binding technology was a very convincing match. The finished books simply looked great. Talking with Lance Svoboda also made it very clear that he understands technology and knows exactly what he wants from his production. His enthusiasm for the Meccanotecnica perfect binding line was impossible to miss. And that is perhaps particularly interesting when you remember that Meccanotecnica has spent decades building its reputation around Smyth sewing. Moving into perfect binding means entering a market where several competitors have just as much experience in perfect binding as Meccanotecnica has in sewing. That takes commitment, confidence in the technology, and a clear understanding of what customers need. At OnPress, that decision appears to have paid off. The combination of Xeikon digital printing and Meccanotecnica finishing creates a remarkably efficient book production environment, and judging from Lance Svoboda’s enthusiasm, OnPress is a very pleased customer — for sure!