The Print Show 2025 Birmingham

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Colin Sinclair Mcdermott · The Online Print Coach · The Print Show 2025

Wayne from INKISH is at The Print Show at the NEC in Birmingham, catching up with his good friend Colin Sinclair McDermott — better known as The Print Coach and founder of Print Mastermind. Colin shares that the first day of the show has been buzzing, with a steady flow of visitors and a renewed energy thanks to the addition of The Sign Show and the central Hall 3 location.

With decades of experience in the print industry, Colin built and ran his own print company before moving into business coaching over five years ago. Noticing a lack of dedicated coaching for the print sector, he created Print Mastermind — an online training and community platform designed specifically for print and packaging businesses. The platform helps companies improve in every area — from sales and marketing to systems, processes, and finance — through weekly mastermind sessions, structured content, and shared best practices.

Colin emphasizes that the Print Mastermind community is selective and focused on creating a safe, collaborative environment where members can share challenges, ideas, and strategies. Businesses interested in joining can reach out directly via LinkedIn, his website, or by phone to discuss fit and goals.

Wayne highlights Colin’s impressive podcast and webinar content, which continues to help print businesses raise their game and accelerate growth. Looking ahead, Colin is preparing to head to Orlando for PRINTING United, where he’ll take on a major role as part of the new Allstars Ambassador Program — serving as team captain alongside other industry leaders. He’ll also be speaking at various events, participating in “Spill the Ink” sessions, Student Day activities, and hosting live podcast recordings throughout the show.

From Long Beach to Birmingham and next to Orlando, Colin’s journey reflects his commitment to empowering the global print community. A lively conversation about education, leadership, and collaboration in print — filmed live at The Print Show.

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Bill Jones · Managing Director · Exel · The Print Show 2025

Wayne from INKISH is at The Print Show on day one, catching up with a long-time friend, Bill Jones from Exel Print & Machinery. Bill shares that the UK remains a vital market for Exel, representing a significant share of their business in quality used printing equipment. With the disappearance of major events like IPEX, The Print Show has become an essential meeting point for reconnecting with old friends and new contacts across the industry. Exel Print & Machinery is not only focused on buying and selling used presses but also provides comprehensive engineering and installation services. The company operates its own team of skilled engineers and maintains heavy-lifting equipment such as forklifts and gantries — ensuring that every installation is handled entirely in-house. Despite challenges in the global offset market, Bill reports a positive year, with multiple UK sales completed and more in the pipeline. Demand remains strong for high-quality used presses, particularly those with low-impression capabilities, such as B1 and B2 machines, which are suitable for both commercial and packaging printers. He notes that sourcing equipment remains one of the biggest challenges, making it crucial for anyone looking to sell or trade in a press to get in touch. Exel offers valuations based on detailed machine information and purchases stock directly. Bill encourages anyone with a B1 10-colour or similar press to reach out, as the company is actively buying. A solid reminder that the UK used equipment market remains active and optimistic, supported by hands-on expertise and a personal approach. Recorded live at The Print Show in Birmingham.

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Bettine Pellant · CEO · Picon LTD · The Print Show 2025

Wayne from INKISH is at The Print Show at the NEC in Birmingham, where he catches up with Bettine Pellant, CEO of PICON — the Printing Industry Confederation. With a long history in the print trade, Wayne and Bettine share memories of past shows from drupa to China Print, reflecting on how important face-to-face events remain for the industry.

Bettine explains that while online meetings have their place, nothing replaces the value of personal interaction. Trade shows bring together industry peers, customers, and partners — often people you see only once a year — and PICON’s stand serves as a hub for networking, conversation, and connection. Members are encouraged to drop by, grab a coffee or a beer, and bring customers or prospects for informal meetings.

Founded in 1918, PICON represents manufacturers and suppliers of print equipment, software, and consumables across the full spectrum of the industry — from prepress to press to postpress. Unlike associations representing printers, PICON focuses on the supply side and works closely with organizations such as the BPIF and IPIA to align efforts across the sector.

Membership benefits include a strong calendar of networking and social events, such as golf days, seminars, and meetings, as well as support navigating complex topics like new employment legislation and regulatory changes. Bettine emphasizes that PICON acts as a guiding partner — connecting members with the right resources and expertise when issues arise.

The association also operates several focus groups — including digital, exporters, importers, and suppliers to the paper industry — providing members with forums to discuss challenges unique to their area. These groups regularly address topics such as tariffs, trade documentation, and regulation. While PICON doesn’t typically lobby government independently, it collaborates with partners like the BPIF to ensure the voice of the industry is heard.

A warm and insightful conversation about community, advocacy, and collaboration in print, filmed live at The Print Show in Birmingham.

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Andy Kent · Division Manager · FUJIFILM UK · The Print Show 2025

Wayne from INKISH is at The Print Show at the NEC in Birmingham, speaking with long-time friend Andy Kent from Fujifilm. Andy shares that this is Fujifilm’s third consecutive year at the show, and the timing couldn’t be better. Following the 2023 launch of their Print-on-Demand business — selling directly into the market — The Print Show has become a key platform to engage customers, build awareness, and showcase innovation. The 2025 event, now bigger and busier than ever, reflects growing industry support, helped by the addition of The Sign Show and a more central Hall 3 location.

Fujifilm is presenting several exciting developments on its stand this year. One highlight is the Acuity Triton, a wide-format system featuring a water-based UV ink — a major step forward in ink innovation for the segment. Another is the company’s new Supercolor range of five-colour presses, introducing a pink channel integrated into the colour separations. Rather than being used as a simple spot colour, the pink expands the colour gamut, enabling richer, more vibrant tones and improving difficult shades like oranges. This advancement offers printers an easy way to differentiate their output, delivering greater creative potential and visual impact.

Andy notes that while the technology is there, many printers still need to educate designers and brand owners about the wider colour possibilities. Fujifilm is taking a proactive approach by engaging directly with the creative community and using open days at their Luton showroom to demonstrate what five-colour printing can achieve. The goal is to build awareness and demand from the design stage — helping printers stand out and add value.

As active members of the IPIA, Fujifilm continues to bridge the gap between design and print, encouraging collaboration and innovation across the sector. Andy emphasizes that five-colour technology is not only effective but also accessible and affordable, providing print businesses with a practical way to enhance their offerings.

A vibrant discussion on innovation, creativity, and collaboration in print — and a closer look at how Fujifilm is redefining possibilities in both wide format and digital print — filmed live at The Print Show in Birmingham.

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Jane Wickens · Head of Marketing · Solopress · The Print Show 2025

Wayne from INKISH is at The Print Show in sunny Birmingham, where he speaks with Jane Wickens from Solopress. Jane explains that Solopress supports the show every year because it offers valuable opportunities to meet customers face-to-face — reconnecting with existing clients, engaging with new ones, and building relationships with businesses looking to outsource specific print services. Many visitors come from complementary sectors such as signage or DTF printing, seeking a trusted white-label supplier for products like flyers or brochures, making Solopress an ideal partner.

This year, Solopress is placing strong emphasis on sustainability — challenging misconceptions about the environmental impact of manufacturing. Jane points out that while print inevitably consumes energy, it also produces tangible, recyclable products, whereas many digital technologies consume significant resources behind the scenes. Solopress aims to highlight the positive environmental progress being made within print, demonstrating that manufacturing can be both responsible and valuable.

In addition to customer engagement, the show provides a platform for networking with OEMs and suppliers. Jane notes that in-person interactions allow for more meaningful conversations than email or video calls, often leading to unexpected insights and stronger partnerships.

Solopress operates across both trade and end-user markets, with a dedicated Solo Pro service tailored to trade printers. This includes competitive pricing, structured accounting, and expert support to help partners grow their businesses. The company also attracts designers, who often visit the stand to explore new applications and draw inspiration from Solopress’ range of printed products.

Jane, proudly wearing her Girls Who Print badge, also highlights the growing impact of the movement and looks forward to connecting with Deborah Corn during the show’s live sessions.

A lively discussion about collaboration, sustainability, and inspiration in print — filmed live at The Print Show in Birmingham.

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Nicola Peacock · Relationship Manager · The Printing Charity · The Print Show 2025

Wayne from INKISH is at The Print Show in Birmingham, where he speaks with Nicola Peacock from The Printing Charity — one of the UK’s oldest and most respected benevolent organisations serving the print, packaging, publishing, paper, and allied trades. Nicola, who has been part of the charity since 2019 and has nearly three decades of experience in the industry, shares how the organisation provides crucial financial and emotional support to individuals and families across the sector.

The Printing Charity’s welfare department, based at its head office in Crawley, assists people facing financial hardship — from unexpected expenses like replacing a broken washing machine to more significant challenges such as household redundancies. Anyone who has worked in the industry for three years or more can reach out for support. Each case begins with a simple conversation, and if direct financial help isn’t possible, the team ensures individuals are signposted to other relevant resources or referred to the charity’s dedicated helpline.

The helpline is available to over 30,000 families through partnerships with more than 460 UK companies. It provides confidential, in-the-moment access to trained counsellors for emotional well-being, as well as practical advice and information services. Everyone aged 16 and over in the household of an employee covered by the programme can use these services at no cost.

Nicola also highlights the charity’s Rising Star Awards, which recognise and empower young talent aged 18–30 within the industry. Winners receive funding for professional development courses, and this year’s programme supported 84 recipients, with over £100,000 invested in training. The winners are celebrated each July at a special event held at the House of Lords, a moment that showcases the industry’s future leaders.

In addition to welfare and career development initiatives, The Printing Charity operates two independent residential homes — one in Bletchley and another in Basildon — providing safe and supportive environments for those connected to the industry.

Wayne and Nicola discuss how few people truly realise the scope of the charity’s work. Funded entirely through legacies, wills, pensions, and donations, The Printing Charity is financially stable and does not rely on public fundraising — allowing it to focus solely on helping those in need.

A heartfelt conversation about compassion, community, and the enduring support behind one of the UK’s cornerstone industry charities — filmed live at The Print Show in Birmingham.

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Paul Bromley · Sales Director · Infigo · The Print Show 2025

Wayne from INKISH caught up with Paul Bromley from Infigo at The Print Show in Birmingham, continuing what has already been a busy season of trade fairs after drupa and Labelexpo. For Paul and his team, the UK event is an important one. Infigo is based in Britain with a fast-growing local team, and supporting national shows is part of demonstrating that web-to-print is not just a global conversation but something that matters to printers at home too.

On this occasion, Infigo shared a stand with PrintIQ, with a focus firmly on integration. Paul explained that the partnership has been developing for more than six years to create an automated workflow that eliminates double entry and bridges the skills gap that many printers face as experienced staff retire and fewer younger people enter the trade. Orders entered into an Infigo B2B or B2C portal can now be transferred directly into PrintIQ with artwork, job specifications, purchase orders, payment details and production data carried across automatically. From that point, the only intervention needed is to check press time and materials. Everything else flows without manual touchpoints, right through to production and dispatch, with tracking information shared back to the customer.

Paul stressed that the ambition is to give power back to buyers, who increasingly expect the same kind of transparency and self-service tools they enjoy when shopping on Amazon. Allowing customers to check the status of their jobs online, rather than having to pick up the phone, frees up time for printers and keeps them available twenty-four hours a day. He cited figures showing that this kind of automation equates to an additional 118 days of customer service compared to adding another staff member.

When asked whether a PSP can simply set up a portal and wait for the orders to roll in, Paul laughed. The reality, he said, is more nuanced. Business-to-business is the easier starting point, because it involves transitioning existing clients into an online environment where they can enjoy the convenience of automated ordering. Business-to-consumer, by contrast, is a longer game that requires serious marketing commitment. Infigo supports printers on this journey with detailed documentation, a sixty-five-page best-practice guide, and connections to specialist marketing partners who can help drive traffic and growth.

Education plays a significant role in the strategy. The company has launched the Infigo Academy, a resource designed to make customers self-sufficient, and it backs this up with a steady flow of webinars. Software never stands still, Paul pointed out, and Infigo’s two-week release cycle is evidence of a business that listens to the industry and updates its platform at a pace that keeps customers competitive.

The conversation ended with Paul looking ahead to the next stop on the calendar, Printing United in Orlando. With a smile, he joked that trade shows feel relentless. Still, the energy at The Print Show proved just how important it is to be present, to demonstrate technology in action, and to continue the conversation about how printers can adapt to a digital-first marketplace.

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Phil Gaskin · Business Development Channel Manager · XMPIE · The Print Show 2025

Wayne from INKISH caught up with Phil Gaskin from XMPie at The Print Show in Birmingham, where the aisles were buzzing with activity on the opening day. Phil and Wayne have crossed paths at many international events — from Hunkeler Innovationdays to FINAT’s European Label Forum — but here in Birmingham, the focus was firmly on the UK market, one that XMPie has supported since The Print Show first began.

Phil explained that XMPie has exhibited at every edition of the event, viewing it as an essential opportunity to meet UK print service providers face-to-face and demonstrate how software innovation continues to shape the industry. This year, XMPie showcased a live integration with Fujifilm, connecting its StoreFlow Cloud web-to-print platform directly into Fujifilm’s XMF workflow and Revoria press technology. Visitors could walk onto the stand, design a personalized greeting card or children’s book using their phone, add a photo, preview it in real time, and send the finished job straight to Fujifilm’s stand — where it was instantly imposed, color-managed, and printed on demand.

Behind the scenes, the workflow demonstrated how automation, personalization, and creativity now work hand in hand. Templates were built in Adobe InDesign, giving full control over layout, metallic and fluorescent color effects, and high-end design features. Once approved, the order dropped automatically into XMF, which handled imposition, rotation, and routing to the appropriate device.

Phil emphasized that XMPie’s mission has expanded far beyond traditional variable data printing. The company now sees integration and automation as central pillars of value, with deep partnerships such as the one with Enfocus, opening up new possibilities across workflows and connected ecosystems.

XMPie currently supports around 400 UK customers and approximately 7,500 worldwide, spanning more than 100 countries. The company’s cloud-based StoreFlow platform reflects a broader shift toward software-as-a-service models, helping PSPs simplify operations, expand offerings, and enter new markets like DTG and on-demand publishing.

Though Phil won’t be joining the team at PRINTING United in Orlando — the American sales force will handle that side of the pond — he remains focused on serving the UK and European markets, where XMPie continues to play a leading role in advancing personalized, automated print.

As Wayne wrapped up, both agreed that day one at The Print Show had already delivered strong traffic and meaningful conversations — proof that UK print remains vibrant, curious, and eager to explore how software and smart integration are reshaping its future.

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Phil McMullin · Head of Sales · EPSON · The Print Show 2025

Wayne from Inkish caught up with Phil McMullin from Epson at The Print Show in Birmingham, where the aisles were lively and the atmosphere upbeat. Fresh from Labelexpo Europe in Barcelona, where Epson drew strong crowds around its new digital label press, Phil arrived at the NEC with a very different showcase — one designed to highlight just how broad Epson’s offering to the UK print market has become.

He began by noting that Epson’s reputation was originally built on proofing and photographic excellence, with the company long recognized for color consistency and image quality. Today, that same expertise underpins a much wider portfolio spanning signage, graphics, customization, and textile applications. On the stand this year were multiple roll-to-roll printers using eco-solvent, resin, and aqueous inks for everything from posters to POS; T-Series devices for high-quality aqueous output; and a growing family of UV flatbeds — including the compact V1000 and the larger B7000 — offering white ink, spot varnish, and layered 3D effects ideal for promotional, industrial, and décor markets.

Epson also showcased its expanding label printing range, reflecting both print-for-pay and on-demand manufacturing opportunities. In addition, the company placed strong emphasis on the booming textile sector, running live demos of its direct-to-film (DTF) and direct-to-garment (DTG) solutions alongside roll-to-roll fabric printers for decor, soft signage, wallpaper, and upholstery. All of it, Phil emphasized, is built on Epson’s own printheads, inks, and chassis — ensuring total control over quality and reliability.

Asked about Epson’s unique position as both a printhead supplier and a printer manufacturer, Phil clarified that the company carefully manages potential conflicts by supplying earlier-generation printheads to OEM partners while reserving the latest heads and firmware for Epson-branded systems. The result is an ecosystem where innovation at the core — in printhead design, firmware, and color science — drives every device under the Epson banner.

Phil also discussed Epson’s acquisition of Fiery, calling it a natural fit that extends Epson’s reach into the cut-sheet production segment. The move, he said, complements rather than competes with Fiery’s existing OEM relationships and underlines Epson’s long-term strategic commitment to professional print.

On The Print Show itself, Phil praised organizer Chris Davies for building what he described as the strongest UK floorplan since IPEX, noting the importance of bringing all major OEMs back under one roof. He welcomed the introduction of the Sign Show alongside the print event, seeing synergy between the two audiences, and stressed the value of giving UK PSPs a “home show” to engage directly with technology suppliers.

Looking ahead, Phil hinted at a busy calendar of smaller focused events and customer open days at Epson’s new Lutterworth facility, a full-scale industrial demo center purpose-built to host large equipment — a step up from the company’s previous Hemel Hempstead premises.

In closing, he reflected on the importance of supporting local exhibitions, saying the more big names there are, the more reason there is for people to come out, explore the technology, and see the value firsthand. As the first day wound down, Epson’s stand was bustling — a testament to the company’s growing footprint across every corner of the print market, from labels and signage to textiles and industrial décor.

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Rob Thurston · UK Sales Manager · PRINTIQ · The Print Show 2025

Wayne from Inkish met with Rob Thurston from Print IQ at The Print Show in Birmingham, where the discussion centered around automation, integration, and the growing demand for seamless end-to-end workflows across print operations. Print IQ has exhibited at the event for several consecutive years, and Rob explained that their presence reflects the importance of the UK market and the success they’ve had partnering with other technology providers — this year sharing the stand with Infigo.

Rob described the partnership as a perfect fit, bringing together Infigo’s powerful web-to-print capabilities and Print IQ’s MIS-driven production intelligence. The integration connects the two platforms through a robust API, allowing live pricing, job creation, and full workflow automation. When a customer places an order online via Infigo, the system calls Print IQ for real-time pricing, pushes job specifications and artwork files into production, and automatically creates a job ticket. From there, everything is tracked through to dispatch — meaning users can see live updates without manual intervention.

For printers wanting deeper automation, Rob noted that Print IQ can integrate further with Enfocus Switch, creating a straight-through workflow where files are pre-flighted, imposed, and scheduled with minimal operator input. Once in production, the system uses lean manufacturing logic to select the most cost-effective device for each job — for example, automatically routing longer runs to offset and shorter ones to digital presses.

Although Print IQ doesn’t currently balance identical presses automatically, it intelligently allocates jobs to available machines and provides full visibility across capacity planning and production boards. The system’s scheduling tools also allow users to identify bottlenecks and optimize throughput, while integrated dispatch features can handle automated courier bookings and label generation.

Rob added that Print IQ is working on expanding machine data connectivity for more precise reporting, noting that while some integrations currently require middleware, live performance feedback from press to MIS is a key focus for the roadmap.

He emphasized that automation isn’t just about saving time — it’s about empowering customers with real-time access to information. Through Infigo’s front end, clients can check job status, shipping details, and progress updates, reducing the need for phone calls and manual status requests.

As Rob summed up, integration is the word on everyone’s lips, and Print IQ’s partnership with Infigo delivers a true end-to-end workflow — from online ordering through production, finishing, and fulfillment — giving printers a scalable platform to grow efficiently in a highly competitive market.

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David Bunker · Director · Compass Business Finance · The Print Show 2025

Wayne from INKISH is at The Print Show at the NEC in Birmingham, where he catches up with David Bunker from Compass Business Finance. David has been a familiar face at trade shows for many years, and he shares his thoughts on the lively first day of the show. He explains that Compass is celebrating 20 years in business, having grown from small beginnings into a company that both lends its own money and works with around 25 different lenders to provide flexible financing options for print companies, PSPs, and converters. David highlights that, unlike going directly to a single bank, Compass can match each customer’s needs with the right lender, offering multiple options and solutions tailored to different types of investments. He stresses that it’s not only about securing the best rate but about finding the best commercial option that aligns with a customer’s long-term plans. When discussing how printers typically engage with Compass, David explains that smaller equipment purchases often come through supplier referrals or straightforward finance requests. At the same time, larger, million-pound-plus investments usually involve earlier discussions and long-term planning. Trade shows like The Print Show provide an ideal setting for those conversations to begin. He also discusses how asset depreciation impacts financing options, noting that traditional presses, such as a ten-colour Heidelberg B1, have different financial considerations compared to high-depreciation inkjet devices. To address this, Compass collaborates with initiatives such as the UK Growth Guarantee Scheme, a continuation of government-backed schemes designed to support lending, thereby giving businesses more confidence in financing equipment even during uncertain times. David emphasizes that while the print industry has faced challenges from COVID, rising costs, and market uncertainty, there is still strong momentum for investment and growth. Compass is focused on helping businesses access the right financial products to make those investments possible. A clear and practical conversation about financing in the print industry, recorded live at The Print Show in Birmingham.

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Steve Giddins · Partner · Perfect Bindery Solutions · The Print Show 2025

Wayne from INKISH is at The Print Show in sunny Birmingham, where he meets Steve Giddings, Managing Director of Perfect Binding Machinery. Steve has been in the printing industry for 60 years, starting out with letterpress, moving into lithography, and then embracing digital technology, which he describes as the most versatile and exciting yet. At this year’s show, he introduces a new piece of digital equipment designed to print images, text, and colours directly onto book edges. The machine was flown in from China just in time for the event, after a long and expensive journey through customs, flights, and visa challenges for the engineers. Perfect Binding Machinery has been in operation since 2005, following Steve’s earlier venture, Steve Giddings Engineering, which ran from 1988 to 2001. The company specialises in finishing equipment, particularly hardcover book production. Their solutions include perfect binding, three-knife trimming, case making, foiling, board and cloth cutting, and thread sewing. Steve highlights a compact and innovative binder that can handle endpapering and back lining with hot-melt glue, then produce either hardcover or softcover books on demand. In combination with three-knife trimmers, thread sewing, or digital printing, this creates a streamlined, short-run book production line in a relatively small footprint. Although the UK market has been challenging, with several companies closing down this year, Perfect Binding Machinery continues to serve its customers. Steve notes that, although it hasn’t been easy, the company remains committed to providing solutions that support book production in the UK. Known for his wit and perspective, Steve sums up his lifelong dedication to the trade by saying, “Some people have ink in their blood — I’ve got glue in mine.” A conversation full of history, humour, and insight into book finishing, filmed live at The Print Show in Birmingham.

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Gavin Blakemore · UK Sales Manager · Morgana Systems · The Print Show 2025

Wayne from INKISH is at The Print Show in Birmingham, where he speaks with Gavin Blackmore from Morgana. Gavin shares that the first day of the show has been busy and positive, with a steady flow of visitors keeping the team engaged. Morgana has chosen to stand out with a modern and lively presence, moving away from the traditional grey suits image often associated with the industry. On the stand, Morgana is showcasing new technology, including the UK debut of the Digifold Ultra, which was first previewed at drupa. This next-generation machine can handle sheets up to three meters long, performing slitting, cutting, creasing, and folding in a single pass—eliminating the need for additional guillotine upgrades when handling long-sheet jobs. Morgana is also introducing its next generation of UV flood coating technology, which now uses LED lamps instead of quartz. The LED system delivers lower energy consumption, reduced heat, longer lamp life, and greater environmental benefits. Gavin highlights how Morgana, as part of the Plockmatic Group, has expanded its reach and product offering by integrating with companies like Renz, Watkiss, Intec, Argos, and KGS. The combined portfolio now covers an even broader spectrum of finishing solutions. He explains that R&D is a central driver of the group, with developments aligned closely to the needs of print engine manufacturers like Ricoh, Xerox, Canon, Fuji, and Kyocera. This ensures Morgana stays ahead with both inline and offline finishing solutions. Despite wider market challenges, Morgana is having a strong year in the UK, with August being their best month so far and overall performance well ahead of both budget and last year. Gavin credits the breadth of their product range, which allows them to serve everything from small print shops to large production houses looking for advanced finishing technologies. Reflecting on leadership changes, Gavin acknowledges the departure of long-time industry figure Ray, who was his boss for over 30 years. While it’s a significant change, he emphasizes that Morgana’s experienced team is well prepared to carry the business forward under new leadership. A conversation highlighting innovation, growth, and resilience in the finishing sector, recorded live at The Print Show in Birmingham.

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Darren Shepherd · National Membership Director · BPIF · The Print Show 2025

Wayne from INKISH is at The Print Show in Birmingham, where he speaks with Darren Shepard, National Membership Director of the BPIF. Darren has been with the organisation for 11 years and explains that his primary responsibility is to look after members and grow the federation’s network. The first day of the show has been very positive, with plenty of good conversations both with existing members and with companies who are discovering the full scope of BPIF’s services. Darren explains that the BPIF recently refreshed and rebranded its membership structure. At its core, trade association membership focuses on lobbying government, providing regulatory support, and gathering industry data. Members can then add value through gold and platinum tiers, which include HR, health and safety, environmental, and legal support. Associate membership is also available for suppliers looking to connect with print businesses. The federation currently represents around 1,000 companies, covering roughly 55% of the UK print industry by turnover, and is working to expand its offer to smaller companies to reach more of the 6,800 businesses identified in the sector. On training, Darren highlights that BPIF Training is the largest provider of apprenticeships in the print sector, with nearly 400 learners across the UK. Their courses cover all key areas of print, including press, prepress, and postpress, as well as specialised areas such as flexo, digital, litho, and bookbinding. They also offer apprenticeships in customer service, business administration, leadership, and even signage manufacturing. The training is delivered via companies themselves, but BPIF also works hard to promote careers in print to schools and young people, producing publications to highlight opportunities, earning potential, and the wide variety of roles available. Although the average age in the print industry has remained at 42 for the past decade, Darren notes that the balance is shifting. Shop-floor roles are often filled by older staff, while younger entrants are joining through marketing, customer service, or creative roles. The BPIF continues to champion print to the next generation and provide vital support to businesses of all sizes. A comprehensive look at the role of the BPIF in membership, advocacy, and training for the UK print industry, filmed live at The Print Show in Birmingham.

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Luke Wildey · Development Executive · Howden · The Print Show 2025

Wayne from INKISH is at The Print Show on day one, catching up with Luke Wild from Howens. Despite living only a couple of miles apart, Wayne jokes that they always seem to meet at trade shows. Luke explains that Howens specializes in providing insurance tailored specifically for print businesses, covering everything from signage and graphics to large format and related sectors. With a background in litho, digital, and print management, Luke brings hands-on industry experience to his role, aiming to secure the right cover for clients while often saving them money in the process. He outlines the types of insurance that are critical for print companies, including commercial liability, fleet policies for vans and cars, cyber insurance, and machinery damage. Cyber insurance, in particular, is a growing priority as even small businesses are vulnerable to phishing, ransomware, and employee mistakes. Howens partners with providers to offer training, phishing simulations, reporting, and access to risk engineering teams, helping to strengthen IT and cybersecurity practices. Luke emphasizes that while business insurance can seem daunting, it’s easier to understand when broken down step by step—much like learning imposition in print. He emphasizes the importance of collaborating with a broker who thoroughly understands the print industry, thereby simplifying and enhancing the process for clients. Visitors to The Print Show can stop by the Howens stand to learn more, enter a prize draw for a Sage coffee machine, or try their luck at winning one of the company’s signature lions from the grab machine. A practical and insightful conversation about protecting print businesses, filmed live at the NEC in Birmingham.

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Ian Bullock · Managing Director · RENZ · The Print Show 2025

Wayne from INKISH is at The Print Show at the NEC in Birmingham, where he meets Ian Bullock, Managing Director of Renz UK. Ian shares that Renz has supported the show from the very beginning and continues to do so, even if he wishes it were better supported overall. He explains that while Renz UK is a separate entity and not in administration, the German parent company entered administration in March 2024 and is now being acquired by Plockmatic. For the UK operation, business has continued as usual, with minimal impact on customers. The acquisition by Plockmatic brings new opportunities, including the potential to move some lower-range equipment production to their advanced facility in Riga, where cost advantages can be realized. Together with brands like Morgana, Intec, and Watkiss, the group forms a strong portfolio in finishing solutions. Ian highlights that what sets Renz apart is its significant consumables business, which generates around 60% of turnover and provides stable, ongoing revenue beyond machine sales. Their specialization in wire binding also makes them the go-to partner for major digital photo gifting printers, an area where Plockmatic is keen to expand. On a personal note, Ian emphasizes the importance of the acquisition in saving jobs at the Renz manufacturing plant in Heubach, Germany, and in preserving a brand with such a strong legacy. He also talks about his role within PICON, the UK trade association, and how he recently represented them in China through Global Print, an umbrella body of international associations. He notes the striking difference between the UK and international markets, where many associations still own and operate large, vibrant trade shows. Reflecting on the importance of The Print Show, Ian stresses that having a UK event is vital for the industry. Even if exhibitors scale back, maintaining a presence keeps brands visible during challenging times. He concludes that adaptability is key, and ensuring the brand is represented at events like this is the right way forward. A candid and insightful conversation about resilience, adaptation, and the future of finishing within a strong international group, filmed live at The Print Show in Birmingham.

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Terry Garvey · Partner Alliance Director · Fiery · The Print Show 2025

Wayne from INKISH is at The Print Show in Birmingham at the NEC, starting the day with a conversation with his good friend Terry Garvey. They reflect on their last meeting in Barcelona and dive into how things have developed since Fiery and Epson came together about 12–18 months ago. Terry explains that Epson’s acquisition was driven by Fiery’s strong software technology, capabilities, and established OEM customers like Xerox, Canon, Konica Minolta, and Ricoh. He highlights the development of Digital Factory, a product born from the CADlink acquisition, which is designed for applications such as direct-to-film, direct-to-garment, and engraving. He is now being showcased with Epson’s new G6000. They also discuss Fiery’s unified workflow approach, where one operator can manage multiple devices through Command WorkStation, creating efficiency across cut-sheet and wide-format devices. Terry introduces Fiery JobFlow, which automates repetitive tasks to minimize errors and streamline job processing, ensuring clean workflows and error-free output. Integration with web-to-print systems remains a core strength, with Fiery maintaining an open platform that works seamlessly with providers like Infigo, Digital StoreFront, and Vpress. With The Print Show running alongside the Sign Show, Fiery’s flexibility is on display, driving devices across commercial print, DTF, DTG, and signage. Their XF application has long supported sign printers from Epson, HP, EFI, and other manufacturers, underscoring their open-platform philosophy. As the conversation wraps up, Wayne and Terry share a lighthearted moment about sales at the show and upcoming events, with Terry confirming he’ll be skipping Printing United in Orlando this time. A lively and insightful discussion on Fiery’s integration, automation, and open-platform approach, straight from the show floor in Birmingham.

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Francis Whiteley · Managing Director · FLEX4 OPS · The Print Show 2025

Wayne from INKISH is at The Print Show in Birmingham, this time catching up with Francis Wy from Flex4 OPS. The two have known each other for many years, and Francis shares insights about his company’s web-to-print solutions. Based in Kendal, Francis explains how Flex4 OPS supports both public e-commerce sites and private storefronts, allowing printers to sell online for the first time or update existing sites. Their print price engine is designed to handle a wide range of print permutations in-house, while also integrating outsourced products to create a one-stop shop for customers. Integration is a key part of what Flex4 OPS offers. Each integration is custom-built to work with various APIs, always with the goal of moving data efficiently downstream, saving time, and reducing the need for manual rekeying. Francis points out that many printers still rely on email orders and manual input, but he sees a growing shift towards web-to-print adoption. Some printers use it to sell directly online, while others use it to showcase their catalog, generate inquiries, and then process quotes and orders through the system. Flex4 OPS also supports upfront payment collection and customer-driven data entry, further reducing administrative work. While some companies link pricing directly to their MIS, many still rely on spreadsheets, which can be easily uploaded into the Flex4 OPS platform. Looking ahead, Francis sees opportunities for expanded estimating functionality, giving printers even more control over pricing and automation. He emphasizes that automation is the future of print, and even small steps, such as replacing manual artwork saving with hot folder integration, can make a significant difference. Though it takes time and effort to set up correctly, once in place, these systems can become a powerful driver of business growth. A thoughtful discussion about the role of web-to-print, integration, and automation in the printing industry today, recorded live from the NEC in Birmingham.

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Hans Boerkamp · Managing Director · Rainbow Solutions · The Print Show 2025

Wayne from INKISH is at The Print Show at the NEC in Birmingham, where he meets Hans Boerkamp, Managing Director of Rainbow Solutions. Hans explains that Rainbow Solutions is a partner of PrintVis, the Danish company behind the MIS/ERP software tailored to the printing industry. While PrintVis develops the software, they work through around 20–30 partners worldwide, and Rainbow covers the Netherlands, Belgium, and the UK. Hans outlines the distinction between MIS and ERP, noting that MIS often evolves from an initial estimation and adds features around it. At the same time, ERP is a fully integrated system that encompasses finance, CRM, inventory, and warehousing. PrintVis builds on Microsoft Dynamics Business Central, adding print-specific functionality such as estimating, waste management, speed tables, and other industry-specific requirements. The advantage is that everything is housed within a single, unified system, rather than multiple disconnected tools. When asked about production tracking, Hans explains that PrintVis is JDF/JMF certified and integrates with workflow partners, such as Heidelberg and Agfa, allowing data, including sheets produced and production time, to flow back into the system. Even older machines can be retrofitted with counters to provide valuable data. While integration typically focuses on prepress and press, finishing equipment can also be included. On the front end, Rainbow works with a wide range of web-to-print providers through standard XML messaging and APIs, allowing fast and flexible integration. Although PrintVis doesn’t offer its own web-to-print solution, it easily connects with those on the market, giving customers the freedom of choice. A strong emphasis throughout the discussion is on integration—bringing together finance, CRM, production, and online ordering into one seamless workflow. Hans highlights that while ERP systems like PrintVis may not be an instant decision for printers, building awareness and trust means they are ready when companies consider major system changes, typically every 7–10 years. A detailed look at how ERP can transform print businesses with greater efficiency and integration, filmed live at The Print Show in Birmingham.