Italy (Italian: Italia [iˈtaːlja] (About this soundlisten)), officially the Italian Republic (Italian: Repubblica Italiana [reˈpubblika itaˈljaːna]),[10][11][12][13] is a European country[a] consisting of a peninsula delimited by the Alps and surrounded by several islands. Located in the middle of the Mediterranean sea and traversed along its length by the Apennines, Italy has a largely temperate seasonal and Mediterranean climate. The country covers a total area of 301,340 km2 (116,350 sq mi), and land area of 294,140 km2 (113,570 sq mi), and shares open land borders with France, Switzerland, Austria, Slovenia, and the enclaved microstates of Vatican City and San Marino. Italy has a territorial exclave in Switzerland (Campione) and a maritime exclave in the Tunisian Sea (Lampedusa). With around 60 million inhabitants, Italy is the fourth-most populous member state of the European Union.

Due to its central geographic location in Southern Europe and the Mediterranean, Italy has historically been home to myriad peoples and cultures. In addition to the various ancient peoples dispersed throughout modern-day Italy, the most predominant being the Indo-European Italic peoples who gave the peninsula its name, beginning from the classical era, Phoenicians and Carthaginians founded colonies mostly in insular Italy,[14] Greeks established settlements in the so-called Magna Graecia of Southern Italy, while Etruscans and Celts inhabited central and northern Italy respectively. An Italic tribe known as the Latins formed the Roman Kingdom in the 8th century BC, which eventually became a republicwith a government of the Senate and the People. The Roman Republic initially conquered and assimilated its neighbours on the peninsula, eventually expanding and conquering parts of Europe, North Africa and Asia. By the first century BC, the Roman Empire emerged as the dominant power in the Mediterranean Basin and became the leading cultural, political and religious centre of Western civilisation, inaugurating the Pax Romana, a period of more than 200 years during which Italy’s law, technology, economy, art, and literature developed.[15][16] Italy remained the homeland of the Romans and the metropole of the empire, whose legacy can also be observed in the global distribution of culture, governments, Christianity and the Latin script.

During the Early Middle Ages, Italy endured sociopolitical collapse and barbarian invasions, but by the 11th century, numerous rival city-states and maritime republics, mainly in the northern and central regions of Italy, rose to great prosperity through trade, commerce and banking, laying the groundwork for modern capitalism.[17] These mostly independent statelets served as Europe’s main trading hubs with Asia and the Near East, often enjoying a greater degree of democracy than the larger feudal monarchies that were consolidating throughout Europe; however, part of central Italy was under the control of the theocratic Papal States, while Southern Italy remained largely feudal until the 19th century, partially as a result of a succession of Byzantine, Arab, Norman, Angevin, Aragonese and other foreign conquests of the region.[18] The Renaissance began in Italy and spread to the rest of Europe, bringing a renewed interest in humanism, science, exploration and art. Italian culture flourished, producing famous scholars, artists and polymaths. During the Middle Ages, Italian explorers discovered new routes to the Far East and the New World, helping to usher in the European Age of Discovery. Nevertheless, Italy’s commercial and political power significantly waned with the opening of trade routes that bypassed the Mediterranean.[19] Furthermore, centuries of infighting between the Italian city-states, such as the Italian Wars of the 15th and 16th centuries, left the region fragmented, and it was subsequently conquered, exploited, and further divided by European powers such as France, Spain and Austria.

By the mid-19th century, rising Italian nationalism and calls for independence from foreign control led to a period of revolutionary political upheaval. After centuries of foreign domination and political division, Italy was almost entirely unified in 1861, establishing the Kingdom of Italy as a great power.[20] From the late 19th century to the early 20th century, Italy rapidly industrialised, namely in the north, and acquired a colonial empire,[21] while the south remained largely impoverished and excluded from industrialisation, fuelling a large and influential diaspora.[22] Despite being one of the main victors in World War I, Italy entered a period of economic crisis and social turmoil, leading to the rise of a fascistdictatorship in 1922. Participation in World War II on the Axis side ended in military defeat, economic destruction and the Italian Civil War. Following the liberation of Italy and the rise of the resistance, the country abolished the monarchy, established a democratic Republic, and enjoyed a prolonged economic boom, becoming a highly developed country.[23]

Today, Italy is considered to be one of the world’s most culturally and economically advanced countries,[23][24][25] with its economy ranking eighth-largest in the world and third in the Eurozone by nominal GDP. Italy has the sixth-largest worldwide national wealth, the third-largest central bank gold reserve, and a very high life expectancy. The country plays a prominent role in regional and global economic, military, cultural and diplomatic affairs; it is both a regional power[26][27] and a great power,[28][29] and is ranked the world’s eighth most-powerful military. Italy is a founding and leading member of the European Union and a member of numerous international institutions, including the UN, NATO, the OECD, the OSCE, the WTO, the G7, the G20, the Union for the Mediterranean, the Council of Europe, Uniting for Consensus, the Schengen Area and many more. The country have greatly influenced and contributed to diverse fields, notably the arts, music, literature, philosophy, science and technology, fashion, cinema, cuisine, sports, as well as jurisprudence, banking and business.[30] As a reflection of its cultural wealth, Italy is home to the world’s largest number of World Heritage Sites (55), and is the fifth-most visited country.

 

Photo Credits:

Photo by @canmandawe on Unsplash
Photo by davide ragusa on Unsplash
Photo by Ilya Orehov on Unsplash

 

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Andrea Albanese · From One Copy to Thousands — Automation Driving Production · Pixartprinting

Books and magazines are an important part of Pixartprinting’s business, and with around 1,000 different orders moving through production every day, automation isn’t simply an advantage — it’s essential. At Pixartprinting, production starts from just one copy, putting enormous demands on workflow integration, reliability, changeover times, and waste reduction. Two Canon ProStream presses form part of the production setup, combined with Müller Martini finishing solutions in both nearline and inline configurations. The latest GEN8 roll-to-stack solution can process a wide variety of formats and substrates at speeds of up to 160 meters per minute, while an inline installation connected to a ProStream 3000 uses buffering to enable automatic changeovers without stopping production. The flexibility is impressive. Pixartprinting can change between seven or eight different substrates every day, covering weights from around 100 to 250 gsm, while keeping production efficient and predictable. But the machines are only part of the story. Pixartprinting has built a highly automated digital workflow connecting its production equipment and enabling thousands of individual jobs to move through the factory with minimal manual intervention. Being part of the Cimpress family also creates opportunities for production sharing between plants and brands when products and capabilities overlap. Sustainability plays an equally important role. Since 2018, Pixartprinting has operated using renewable energy sources and recycles almost 90% of its production waste. When producing single-copy products, avoiding waste becomes both an economic and environmental necessity. In this film, we take a closer look at the thinking behind Pixartprinting’s book and magazine production, its partnership with Müller Martini, and why increasing product complexity will make automation, digitalization, and inline production even more important in the years ahead. Enjoy!

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Harm Jan Hulleman Sales Director EMEA Tecnau Power to Move

At Canon's Power to Move event in Venlo, Morten B. Reitoft speaks with Harm Jan Hulleman from Tecnau about the critical role finishing and paper handling play in modern inkjet production environments. The conversation takes place shortly after Canon's introduction of the new ColorStream 7000, a platform that represents both an opportunity for new installations and a replacement cycle for many existing continuous-feed inkjet users. As Hulleman explains, while a press may attract the initial attention, productivity, workflow efficiency, and profitability are often determined by everything that happens before and after the print engine itself. Tecnau has been closely involved with Canon's continuous-feed inkjet platforms for many years, and the discussion explores how unwinding, rewinding, cutting, stacking, and finishing solutions continue to evolve alongside advances in print technology. Customers upgrading from earlier generations of ColorStream systems are not only evaluating new print engines but also considering how modern finishing technology can improve productivity, automation, and application flexibility throughout their operations. A significant part of the conversation focuses on the growing importance of workflow integration. Rather than viewing printing and finishing as separate disciplines, many production environments now approach investments from a complete end-to-end perspective. According to Hulleman, increasingly sophisticated customers recognize that finishing requirements should be considered early in the decision-making process, often alongside the selection of the print engine itself. The discussion also covers Tecnau's expanding capabilities following the integration of Sitma into the group. By combining printing, finishing, packaging, and distribution technologies, Tecnau is increasingly able to support customers with complete production workflows that extend beyond the printed product itself. This is particularly relevant in markets such as books, transactional communications, direct mail, and other applications where packaging and fulfillment are becoming integral parts of the overall value proposition. Looking at broader industry trends, Hulleman points to continued growth in digitally produced books, customized production environments, and highly automated workflows. While technology continues to evolve, the underlying objective remains unchanged: helping print providers move efficiently from print to finishing, packaging, and ultimately profitability. Recorded at Canon's Customer Experience Center in Venlo during the Power to Move event, this interview offers insight into the often-overlooked but increasingly important role that finishing technology plays in the future of industrial print production.

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The future is ALSO what we make it to be · Christoph Gamper · CEO · DURST Group

What happens when AI, autonomous systems, and print production begin to merge? In this deep and highly philosophical conversation, Editor Morten B. Reitoft from INKISH speaks with Christoph Gamper from DURST about the future of print, automation, software, and human interaction with technology. Recorded at Expográfica in Guadalajara, the interview moves far beyond machinery and production equipment into questions about how value will be created in the future, how AI agents may negotiate production automatically, and why the next generation of print manufacturing could become increasingly autonomous. Christoph Gamper explains why he believes print production will evolve toward “lights-out” manufacturing environments, where human roles shift from manual operation toward orchestration, architecture, and decision-making. The discussion explores labor shortages, autonomous logistics, AI-driven workflows, and why the future may depend less on closed software ecosystems and more on open, hardware-agnostic systems capable of dynamically connecting entire production environments. The conversation also introduces DURST’s vision behind “Kyveris,” a concept Christoph Gamper describes as a connection between human knowledge and AI-driven systems designed to create value for real people. Rather than focusing on software lock-ins or isolated ecosystems, the discussion centers on how decades of industrial knowledge can be translated into intelligent systems that help printers optimize production, improve efficiency, and rethink how print businesses operate. This is not simply a discussion about presses or automation. It is a conversation about leadership, technological optimism, the role of AI in manufacturing, and how the print industry may fundamentally change over the next decade.