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Subtitled Swedish language: Tellogruppen is a successful fullservice commercial print company based in the city of Söderköping with offices on 4 locations in eastern Sweden. In 2019 Tellotryck acquired Norrköpings tryckeri and are preparing for continued growth. IT and the overall digital transformation is something the company has realised they must use better and be part of if to to reach their long term goals. In this film the CEO Fillip Ringqvist gives a short background of the company, how they work and why their IT and ERP-system are increasingly important for the future. Tellogruppen är ett framgångsrikt fullservicetryckeri med huvudkontor i Söderköping och med verksamhet/kontor  i Norrköping, Västervik och Stockholm. 2019 förvärvades Norrköpings tryckeri och nu satsar företaget på fortsatt tillväxt.  IT och det generella digitala transformation är något företaget inser är av högsta vikt att använda och dra nytta i sin framtidsresa. I denna film berättar Tellogruppens VD Fillip (Fille) Ringqvist om företagets historia, hur de arbetar och varför IT och affärssystemet har högsta prioritet för att klara framtida tillväxtmål.

Overview of the world-premiere and new large format printer WF1 from Brother by Olivier Deloge.

Filmed on location in Nürnberg, this INKISH feature marks the beginning of INKISH Deutschland’s first production tour, as Morten B. Reitoft visits Digital Print Group and speaks with Founder and Managing Director Oliver Schimek about what a modern, highly automated print business looks like in practice. The conversation quickly moves beyond the traditional definition of a printer. Digital Print Group positions itself as a true solution provider, where production is only part of the equation. With roughly half of its workforce dedicated to programming, workflow development, and customer-specific solutions, the company demonstrates how technology, software, and mindset come together to serve increasingly complex customer demands. The film highlights a production environment built on automation and flexibility, where a wide range of equipment from manufacturers such as Canon, Horizon, and Fujifilm is integrated into internally developed workflows rather than relying on standard turnkey systems. A notable aspect of the operation is the extensive use of robotics, implemented not only to address labor shortages in Germany but also to ensure consistent quality and remove repetitive tasks from employees. Serving large and demanding customers requires more than capacity. It requires a company-wide mindset focused on reliability, timing, and responsibility. With a team of 47 employees, Digital Print Group operates in a stable but evolving market, continuously adapting its processes and technologies to remain competitive. This INKISH film offers insight into how one company combines automation, in-house software development, and a strong service culture to redefine what it means to be a printing company today.

Lot’s of smiling faces at the Fujifilm booth; business is going well for them, and they brought a new hybrid machine to the show - here is the Fujifilm Acuity Prime Hybrid. As one of the first, INKISH gets the details, presented by Oliver Mills, of this world première on camera at Fespa. Speed, flexibility, and quality are at the rendezvous, and that’s how we at INKISH like to work, too, showcasing this World Premiere and other films and news from the industry. Good vibes and atmosphere here in Munich. Enjoy! Read more about the machine here.

LinkedIn Profile: https://www.linkedin.com/in/oliver-baar-46861446/

LlinkedIn Profile: https://www.linkedin.com/in/olgaandersen/

Success with ROBOTS in post-press production. Link to presentation: https://grafkom.s3.eu-central-1.amazonaws.com/WS19/CoBo-Stack.Workflow-Summit-Nov.2019.pdf

Branschkoll is Swedish for "a hold on the industry" and is the leading information source in the Swedish market. Ola Karlsson visits the Horizon Finishing First event in Quickborn, Germany, to learn what makes Horizon interesting for the Swedish market. As Ola Karlsson explains - "We are a Swedish media/service but from a global perspective." Always nice meeting Ola Karlsson - one of the most important supporters of INKISH since we began eight years ago!

Who should have thought that Print Sample TV would be featuring a postal service from Canada - however, this just happened. In this Print Sample TV episode, host Pat McGrew shows how the Canadian post has turned an obligation into an opportunity. White on white print samples and good examples on how to learn from various postal services worldwide! Dig in - Now!

At Canon's Power to Move event in Venlo, Nuray Isik and Morten B. Reitoft discuss the evolution of Canon's Colorado platform and the introduction of the new Colorado XL. The conversation begins with the story behind UVgel technology, which has been at the heart of the Colorado family for nearly a decade. Isik explains how Canon set out to overcome the compromises traditionally associated with large-format printing by developing a technology that combines the advantages of multiple print processes while avoiding many of their limitations. The result is a platform capable of printing on a wide variety of media with excellent durability, low ink consumption, and consistent image quality. A significant part of the discussion focuses on the unique properties of UVgel technology. Unlike conventional inks, UVgel maintains its shape on the substrate, enabling precise image reproduction, reduced ink usage, and consistent performance across a broad range of applications. Isik also explains how the technology enables the creation of both matte and gloss effects with the same ink set, eliminating the need for additional varnishes or dedicated channels and giving print service providers new opportunities to add value to their products. The conversation also explores Canon's approach to color reproduction. While some competing technologies rely on multiple additional colors to expand the color gamut, UVgel achieves impressive results with a streamlined CMYK configuration and optional white ink. According to Isik, this simplifies operation while still delivering the color performance customers require. Attention then turns to the Colorado XL, Canon's latest addition to the portfolio. Building on the success of the Colorado M-series, the XL expands the platform into wider-format and rigid-media applications while maintaining the productivity, automation, and ease of use that have become hallmarks of the Colorado family. Isik explains how customer demand for larger formats and greater application flexibility helped shape the development of the new platform. The discussion concludes with a broader look at trends in the large-format graphics market. While speed remains important, Isik believes customers are increasingly focused on overall productivity, workflow efficiency, and application versatility. The ability to produce more work, on more substrates, with less complexity is becoming a key differentiator as print service providers look for new ways to grow their businesses. Recorded at Canon's Power to Move event in Venlo, this interview offers insight into the thinking behind one of Canon's most important recent product developments and the future direction of large-format graphics printing.

In this Print Sample TV episode, host and evangelist Pat McGrew talk about the magazine. As she mentions "How long time ago is it you referred to an online publication?" hint - you probably more often refer to a printed magazine. So the printed magazine has a lot of value, and whether used to communicate a certain message for a publisher - like the two first examples - or as a teaching and marketing communication piece for a PSP - well, the magazine is not a bad place to get started!

Pat McGrew takes center stage in this engaging session, blending humor, expertise, and life stories into a thought-provoking conversation. From her beginnings near the Rocky Mountains in Denver to her impactful work in the print and technology industries, Pat shares a rich tapestry of experiences. She talks about her passion for storytelling, innovation, and problem-solving, delving into her philosophy that technology is a tool, not an end in itself. The session brims with personal anecdotes, such as Pat's surviving a house fire in Texas, losing treasured mementos, and rebuilding her life in Colorado. Pat reflects on resilience, finding humor in disaster, and her knack for turning life's challenges into opportunities to teach and inspire. Pat’s fascination with print as a medium for persuasion and nuance shines as she discusses everything from the smallest books to evocative stickers made by children for civic engagement. Her insights on innovation, motivation, and the evolving role of technology in print industries are delivered with the clarity and passion that have made her a respected voice in her field. Whether you’re here for laughs, wisdom, or inspiration, Pat McGrew’s unique perspective will leave you pondering the power of print, the importance of telling stories, and the art of navigating life’s unexpected turns. Sit back and enjoy this dynamic conversation—insightful, heartfelt, and uniquely Pat.

This was our first filming in Mexico, so you are always wondering what to expect, and one of the things you realize in Mexico City is the lack of large corporate signs. You also encounter many closed gates, and it's only when they open that you get your first insight into the printing company you are about to visit. When you enter the gate at Huella Litográfica, the first thing that meets you after registration is a massive paper warehouse - so after passing through this, you quickly realize that Huella Litográfica is a Labels and Packaging company. They have flexo presses for their lables a couple of Koenig & Bauer presses, and a die cutter for folding carton, and then a lot of technology that is tailored to the products Huella Litográfica produces. As Production Manager Noel Franco explains, they are busy. Great company, things VERY much under control, and always great to see well functioning companies with a strong belief in the future - so much, that the company is planning further investments in Koenig & Bauer products :-)

At Printpack India 2025, Wayne Beckett from Inkish spoke with Noel Dcunha, Managing Editor of PrintWeek India, about the exhibition's rapid growth and the evolving print and packaging market in India. With the addition of new halls and a significant rise in exhibitors, Printpack India is on a trajectory to expand even further. Projections for 2027 aim to exceed 100,000 square meters of space. Noel Dcunha highlights the booming packaging sector, sharing insights from industry professionals who report substantial business growth. The show has seen an influx of visitors, with estimates reaching 140,000 to 150,000 attendees. PrintWeek India has been actively covering the event, publishing two daily e-bulletins featuring installation updates and industry trends. As the only remaining PrintWeek publication under Haymarket, PrintWeek India continues to thrive due to the strength of the Indian market. The magazine has embraced digital transformation, expanding its reach through online platforms, webinars, podcasts, and the prestigious PrintWeek India Awards, where print samples are judged by industry buyers rather than printers. With a circulation of 13,000 print copies and an online database of 45,000 industry professionals, PrintWeek India reaches 350 cities nationwide. While there are no immediate plans to expand into regional languages, the publication continues to refine its offerings to serve India's vast print industry. Noel Dcunha acknowledges the challenges in growing circulation but remains optimistic about the future. With an estimated 220,000 serious print-related businesses in India—compared to just 16,000 in the UK—the industry is poised for further expansion. Printpack India continues to solidify its place as a global industry event. PrintWeek India remains at the forefront, documenting its growth and evolution.

"We are only at the beginning," Noam Zilbershtain says when talking about the opportunities with digital print - and we are talking to a very confident General Manager. Noam Zilbershtain is a super nice and open person who walks into you - easy to talk to, and still with great opinions about the market and how he and his team can drive HP in the right direction. We also get a chance to talk to Noam Zilbershtain about the war in Israel, about liking people, and, of course, he gets an option to mention football :-)

At Durst Group’s joint Open House with Koenig & Bauer in Radebeul, I speak with Michael Deflorian, and it’s a reminder that no matter how impressive a press looks, it doesn’t run without software. And in many cases, that’s exactly where the real value is created. Michael explains how Durst has built its software business from the ground up since 2018, scaling to thousands of installations and a dedicated team of around 100 people. That’s not a side project anymore, it’s a core part of the business. And when you look at it, it makes perfect sense. The bottlenecks in production are rarely the presses themselves. They sit before or after, in data preparation, workflow, integration, and how jobs move through the system. That’s what the “pixel to output” strategy is about. Not just delivering machines, but connecting everything around them, automating processes, integrating workflows, and ultimately removing friction. Because if you don’t, even the most advanced press won’t perform as it should. What’s interesting is how this ties into the broader Durst story. A company that has reinvented itself multiple times, from photography to digital printing, now also moving into areas like additive manufacturing. There’s a mindset here of constantly challenging what you do and where you go next. And that mindset shows in software. We also talk about something very practical, the growing complexity in production. More jobs, more variation, more data. Especially with digital, where variable data becomes part of the value proposition. Without the right software, handling that complexity becomes almost impossible. With the right software, it becomes manageable, even efficient. That’s a big shift. Another point Michael raises is people. Skilled operators are harder to find, and the next generation expects something very different from the tools they use. If the interface isn’t intuitive, if the workflow isn’t logical, you’re creating friction not just in production, but in recruitment and retention. That’s why user experience is becoming just as important as functionality. And then there’s the technical side, which often goes unnoticed. A machine like the variJET 106 processes enormous amounts of data, especially when you talk about variable content. The way Durst approaches this is through scalable architecture, distributing the workload across multiple systems, so performance matches the application. More variation, more power. Simpler jobs, less demand. It’s flexible, and that’s exactly what digital production requires. What I take from this conversation is simple. Software is not an add-on. It’s the enabler. If you want to get the most out of a digital press, this is where you should probably start. Watch the interview with Michael Deflorian, this is the part of the story that doesn’t always get the spotlight, but without it, nothing really works.

Realtryck & Screenbolaget is a successful Swedish printing company located in the suburbs of the Swedish capital Stockholm. The company have specialised in the print on plastic, cardboard, and campaign materials in both digital and offset. The company see higher competition than in the past but are still very successful in the Swedish market. Realtryck and Screenbolaget have an amazing showroom where customers can see some of the many applications possible to produce. In this INKISH film, CEO Patrick Nermark talk about the company's history, products, investment strategies, etc. Produced by INKISH.SWEDEN - in Swedish, with English subtitles.

In this 27th episode of Print Sample TV, Pat McGrews gives this print sample from HP Indigo an A+++. This is a truly great print sample, and it does a fantastic job showcasing many different technologies while this can convince print customers about the value of print. HP demonstrates their printing technologies, of course, but binding, perforations, combined with a stunning design justifies Pat McGrew's high grade on this printed product. Take a look, and please remember to Share, and Like

In this "Over the Skype" session Founder of YesGo Nizam Appas, explains the background for YesGo. YesGo is an institute training students in the use of packaging software. Now the focus is on Esko's solutions. Still, in the session with K.S. Ashik from INKISH India, Nizam Appas reveal that YesGo will support other software solutions in the future as well. We also learn in this session about the expansion plans for YesGo - not only in India but globally. As with all our ‘Over the Skype’ interviews, quality is limited to bandwidth, web-cams, and ability to literally LIVE mix the conversations. However, it works, and with Over the Skype, we will bring you more than 20 exciting people, and angles on the industry as it is right now. Enjoy!

The Tech Fair is a tiny yet important corner of the DSCOOP hall, where HP's PreDrupa event also took place. HP's Nimrod Cohen allowed us to learn what Tech Fair is about, and in short, this is where new products and ideas are shown. The examples at the PreDrupa were direct print on aluminum cans, HP Indigo transfers, Conductive print, and much more, but listen to what Nimrod Cohen shared with us in this video!

BHS is among the largest companies in the corrugating business, and it’s always interesting to get the latest info—and we got the chance to talk to Nils Gottfried. We got the chance, despite being interrupted at the end of the interview, to hear about the jetliner, mono-version, strategy for printing on the pre-corrugated liners, and why a monochrome version. Enjoy!

BHS is among the largest companies in the corrugating business, and it’s always interesting to get the latest info—and we got the chance to talk to Nils Gottfried. We got the chance, despite being interrupted at the end of the interview, to hear about the jetliner, mono-version, strategy, why printing on the pre-corrugated liners, and why a monochrome version. Enjoy!

Nils Gottfried is one of our recurring guests who always brings interesting news to the industry. BHS is among the world's largest producers of corrugators, and since the company announced the Box Plant 2025 strategy, everything they do turns around the plan - and part of that is to add printing capabilities to the line of products and services BHS offers. In this interview, Nils Gottfried talks about the new monochrome print bar that can be added to new and existing corrugators, enabling black print. This opens up many new opportunities, and that is just among the things we talk about - watch/listen - and enjoy!

Wayne from Inkish interviews Nigel Walsh from Glunz & Jensen at Label Expo in Barcelona. Nigel explains that they are showcasing their latest LED technology on the 5280 format machine, which is an upscale from the 420 model they launched at Drupa named 520. The 5280 format opens up many more applications, becoming the go-to size for trade houses and in-house plate manufacturers, and it also creates opportunities to sell Glunz & Jensen’s other equipment, like dryers and light finishers. He highlights that LED offers consistency, reliability, repeatability, and a much longer lifespan compared to tube systems, while also being more energy-efficient and environmentally friendly, saving about €15,000 over three years. The machines are manufactured in Presov, Slovakia, where all their equipment is built in-house. Glunz & Jensen is also working with Luscher under the HelioGraph Holdings group, cross-referring customers between Luscher’s imaging devices and Glunz & Jensen’s processing equipment. Nigel acknowledges that selling capital equipment is always challenging, but says Glunz & Jensen’s long-standing reputation for quality gives them an advantage. He ends by saying it’s still early in the show and hopes everything will be sold by the final day.